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Robert Henke’s audiovisual installation, Spline, uses lasers and computer generated sound to evoke a dreamlike experience.
Robert Henke is an engineer and audiovisual artist from Germany. Using a complex system of physics, lights, and synthesizers, Henke creates surreal installations that feel both futuristic and otherworldly. In his 2017 installation, Spline, he couples lasers with computer generated sounds to emulate patterns reminiscent of astronomical phenomena. Using the Max programming language, Henke has developed his own synthesizers, such as the Granulator II. Operating through “quasi-synchronous granular synthesis,” these instruments allow the user to modify the pitch and volume of grains to create unique sounds. I admire Henke for his ability to transform light, sound, and space using both scientific and artistic methods. The sound he incorporates in his installations are in perfect harmony with the mesmerizing visuals, working together to create an ethereal, omnipresent experience.