{"id":71822,"date":"2022-09-14T13:10:23","date_gmt":"2022-09-14T17:10:23","guid":{"rendered":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/?p=71822"},"modified":"2022-09-14T13:10:23","modified_gmt":"2022-09-14T17:10:23","slug":"looking-outwards-03-hannah-wyatt","status":"publish","type":"post","link":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/2022\/09\/14\/looking-outwards-03-hannah-wyatt\/","title":{"rendered":"Looking Outwards 03 Hannah Wyatt"},"content":{"rendered":"\n

CMU Architecture student Madeline Gannon’s project <\/em>Reverberating Across the Divide<\/em><\/a> <\/em>unites techniques in computer vision, digital fabrication, and digital design in order to create exotic custom apparel. I admire the intricate geometric symmetry of the necklace, translated from real-time hand gestures through kinetic-based body scanning technology. <\/p>\n\n\n\n

High fashion often encourages breaking stylistic barriers set by previous generations in order to create experimentalist clothing lines- which shares similarities in Gannon’s approach to the industry.<\/p>\n\n\n\n

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Model Wearing Digitally Fabricated Artifact<\/figcaption><\/figure><\/figure>

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. I most admire the individuality of the piece, and the unique way the geometry conforms to the model’s body. The algorithm behind the work includes a chronomorphologic modeling technique, allowing for rapid prototypes and composite movement recording.<\/p>\n\n\n\n

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