{"id":71886,"date":"2022-09-16T11:39:27","date_gmt":"2022-09-16T15:39:27","guid":{"rendered":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/?p=71886"},"modified":"2022-09-16T11:39:27","modified_gmt":"2022-09-16T15:39:27","slug":"l-o-02-generative-art","status":"publish","type":"post","link":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/2022\/09\/16\/l-o-02-generative-art\/","title":{"rendered":"l.o. 02: generative art"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><a href=\"https:\/\/future-feed.net\/variations-on-a-definition\" data-type=\"URL\" data-id=\"https:\/\/future-feed.net\/variations-on-a-definition\">&lsquo;variations on a definition&rsquo;<\/a> by poet and programmer allison parrish is a series of poems that were produced by breaking words down into numbers that correspond to their constituent sounds using a stats-based model of the english language. the program then automatically mixes and recombines these numbers to blur and corrupt the original phonetic features of the words used in the poems.<\/p>\n\n\n\n<p>I admire how this project makes use of algorithmically-defined representation to highlight the malleability of language over space and time, especially in the context of the social internet and postmodern poetics. it&rsquo;s a precise and elegant way to confuse language, which falls in line with parrish&rsquo;s research on contemporary use of language at NYU.<\/p><\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>&lsquo;variations on a definition&rsquo; by poet and programmer allison parrish is a series of poems that were produced by breaking words down into numbers that correspond to their constituent sounds using a stats-based model of the english language. the program then automatically mixes and recombines these numbers to blur and corrupt the original phonetic features &hellip; <a href=\"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/2022\/09\/16\/l-o-02-generative-art\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;l.o. 02: generative art&#8221;<\/span><\/a><\/p>\n","protected":false},"author":764,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[96,121],"tags":[],"_links":{"self":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/posts\/71886"}],"collection":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/users\/764"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/comments?post=71886"}],"version-history":[{"count":1,"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/posts\/71886\/revisions"}],"predecessor-version":[{"id":71888,"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/posts\/71886\/revisions\/71888"}],"wp:attachment":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/media?parent=71886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/categories?post=71886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/wp-json\/wp\/v2\/tags?post=71886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}