{"id":72475,"date":"2022-09-19T09:49:02","date_gmt":"2022-09-19T13:49:02","guid":{"rendered":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/?p=72475"},"modified":"2022-09-19T09:49:42","modified_gmt":"2022-09-19T13:49:42","slug":"looking-outwards-2-2","status":"publish","type":"post","link":"https:\/\/courses.ideate.cmu.edu\/15-104\/f2022\/2022\/09\/19\/looking-outwards-2-2\/","title":{"rendered":"Looking Outwards – 02"},"content":{"rendered":"\n

The series of pieces I’m writing about is Mitchell Whitelaw’s ‘Limits to Growth’, a series of visual patterns made with a generative AI demonstrating a growth’s ability to limit itself through creating patterns that create a final piece that visually looks ‘whole’. While I know very little on how the artwork was made, I can hypothesize that a draw function creates a mass of lines that curve in certain patterns, with a constraint that if a line is too close to intercepting another line, the line will stop expanding. I enjoy how artistically, it doesn’t have to be known that AI generated this artwork, it could be a print that simply looks visually appealing, and mysteriously calculated.<\/p>\n\n\n\n