Hannah Wyatt Section A<\/p>\n\n\n\n
Amay Kataria’s “Supersynthesis” artwork strives for a new form of connection through the unity of light and sound. I admire the interactive element, which allows visitors to first-hand control the wave, sound, and light patterns. Participants make edits in real-time, encouraging constant evolution of the piece, juxtaposing this innate action with advanced, intricate programming. The project assigns 24 pitches to 24 light sources arranged in leds across a physical wave, and Kararia intends to connect the audience with nature\/eachother in this format. Through combining the interactions of all people with the website open, Kataria labels this event “communal computing” and as a new revolutionary method of social communication. <\/p>\n\n\n\n