While looking into sound and computational artwork, I stumbled upon the sonic exhibition ‘Rupture’ by Camille Norman. The work was a performance pieces in which a series of panel glass frames lay broken or shattered in a room with microphones hanging above that emit a vibration. I think this work was makes an interesting comment on the way sound waves and vibrations produce types of factures within the air. In some sense, these can seem random, but in others these waves can be manipulated to produce a certain outcome of experience. The idea of path in this sense is taken to understanding from the microphone to the experiencer’s ears. I think this in a sense relates to the paths of the computational design. Weaving and interweaving within each other to finally reach the eye at one given instant. Amongst the chaos and the parameters of these waves and progressions, there results a single moment in time of experience.<\/p>\n\n\n\n