Please check announcements in class and on Piazza\/Canvas for any changes to the schedule.
\nReadings from the course textbook are shown parenthetically.<\/p>\n
Week 1: Introduction to Computer Music<\/strong> Week 2: Basics of Synthesis<\/strong> Week 3: Sampling Theory<\/strong> Week 4: Synthesis by Modulation<\/strong> Week 5: Spectral Analysis<\/strong> Week 6: Intro to Algorithmic Composition, Granular Synthesis<\/strong> Week 7: Sampling and Filters<\/strong> Week 8: Spectral Processing<\/strong> Week 9: Vocal and Spectral Models, Acoustics and Perception<\/strong> Week 10: Acoustic Effects<\/strong> Week 11: Physical Modeling<\/strong> Week 12: More Physical Modeling<\/strong> Week 13: Audio Compression, Music Notation<\/strong> Week 14: Future of Computer Music<\/strong> Week 15<\/strong> Please check announcements in class and on Piazza\/Canvas for any changes to the schedule. Readings from the course textbook are shown parenthetically. Week 1: Introduction … <\/p>\n","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2021\/wp-json\/wp\/v2\/pages\/11"}],"collection":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2021\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2021\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":15,"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2021\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":583,"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2021\/wp-json\/wp\/v2\/pages\/11\/revisions\/583"}],"wp:attachment":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2021\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTuesday, February 2 – Principles of Sound and Sampling, Intro to Audacity (1.1-1.2)
\nProject 0 (Setup) – due Wednesday, February 3 by 11:59PM Eastern<\/em>
\nThursday, February 4 – Introduction to Nyquist and SAL (1.3-1.9)
\nProject 1 (Audacity and Nyquist) – due Monday, February 8 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, February 9 – Unit Generators, Piece-wise Functions (2.1-2.5)
\nThursday, February 11 – Programming Scores (2.6-2.7 , 4.5-4.8)<\/p>\n
\nTuesday, February 16 – Frequency vs. Time, Fourier Analysis (3.1-3.2)
\nThursday, February 18 – Sampling issues: Aliasing, Negative Frequencies, Quantization (3.3-3.7)
\nProject 2 (Envelopes) due Monday, February 22 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, February 23 – NO CLASS
\nThursday, February 25 – Amplitude and Frequency Modulation (3.8-3.9, 4.1-4.5)<\/p>\n
\nTuesday, March 2 – FFT, Spectral Centroid (5.1-5.2)
\nThursday, March 4 – EXAM 1<\/strong>
\nProject 3 (FM Synthesis, Spectral Centroid) due Monday, March 8 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, March 9 – Patterns, Algorithmic Composition (5.3-5.7 , 6.1)
\nThursday, March 11 – Granular Synthesis (6.2)<\/p>\n
\nTuesday, March 16 – Sampling Techniques (7.1)
\nThursday, March 18 – Filters (7.2)
\nProject 4 (Granular Synthesis) due Monday, March 22 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, March 23 – FFT Analysis and Reconstruction, Spectral Modeling (8.1-8.2)
\nThursday, March 25 – Source-Filter Models, LPC (9.1-9.2)<\/p>\n
\nTuesday, March 30 – Vocal Synthesis (9.3-9.8)
\nThursday, April 1 – Mass-Spring Models, Karplus-Strong Algorithm (11.1-11.3)
\nProject 5 (Sampling, Spectral Processing) due TUESDAY, April 6 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, April 6 – Waveguide and Guitar Models (11.4-11.11)
\nThursday, April 8 – EXAM 2<\/strong><\/p>\n
\nTuesday, April 13 – Acoustics and Perception (10.1-10.2)
\nThursday, April 15 – NO CLASS
\nProject 6 (Physical Models) due Monday, April 19 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, April 20 – Echo, Reverberation and Panning (10.3)
\nThursday, April 22 – Advanced Synthesis Techniques (12.1-12.4)<\/p>\n
Tuesday, April 27 – Compression Principles, MP3, LPC (13.1-13.5)
Thursday, April 29 – MIDI (13.7)
\nProject 7 (Computer Music Composition) due Monday, May 3 by 11:59PM Eastern (NO LATE DAYS ALLOWED)<\/em><\/p>\n
Tuesday, May 4 – Music Processing and Analysis (14.1-14.5)
Thursday, May 6 – 15-622 Project Presentations
\nFriday, May 7 – 15-322\/622 Concert (Afternoon\/Evening Sessions)* – special class meeting – Times TBA<\/p>\n
\nFINAL EXAM – Monday, May 10, 5:30PM Eastern<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"