Please check announcements in class and on Piazza\/Canvas for any changes to the schedule.
\nReadings from the course textbook are shown parenthetically.<\/p>\n
Week 1: Introduction to Computer Music<\/strong> Week 2: Basics of Synthesis<\/strong> Week 3: Sampling Theory<\/strong> Week 4: Synthesis by Modulation, Spectral Analysis<\/strong> Week 5: Intro to Algorithmic Composition<\/strong> Week 6: Granular Synthesis, Sampling<\/strong> Week 7: Filters, Spectral Processing<\/strong> Week 8: Vocal and Spectral Models<\/strong> Week 9:\u00a0 Acoustic Effects<\/strong> Week 10: Acoustics and Perception<\/strong> Week 11: Acoustics and Perceptions (cont’d)<\/strong> Week 12: Additional Composition and Synthesis Techniques<\/strong> Week 13: Audio Compression, Music Notation<\/strong> Week 14: Future of Computer Music<\/strong> Week 15<\/strong> Please check announcements in class and on Piazza\/Canvas for any changes to the schedule. Readings from the course textbook are shown parenthetically. Week 1: Introduction … <\/p>\n","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PbdJ2R-b","_links":{"self":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2022\/wp-json\/wp\/v2\/pages\/11"}],"collection":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2022\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2022\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":18,"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2022\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":672,"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2022\/wp-json\/wp\/v2\/pages\/11\/revisions\/672"}],"wp:attachment":[{"href":"https:\/\/courses.ideate.cmu.edu\/15-322\/s2022\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTuesday, January 18 – Principles of Sound and Sampling, Intro to Audacity (1.1-1.2)
\nProject 0 (Setup) – due Wednesday, January 19 by 11:59PM Eastern<\/em>
\nThursday, January 20 – Introduction to Nyquist and SAL (1.3-1.9)
\nProject 1 (Audacity and Nyquist) – due Monday, January 24 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, January 25 – Unit Generators, Piece-wise Functions (2.1-2.5)
\nThursday, January 27 – Programming Scores (2.6-2.7 , 4.5-4.8)<\/p>\n
\nTuesday, February 1 – Frequency vs. Time, Fourier Analysis (3.1-3.2)
\nThursday, February 3 – Sampling issues: Aliasing, Negative Frequencies, Quantization (3.3-3.7)
\nProject 2 (Envelopes) due Monday, February 7 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, February 8 – Amplitude and Frequency Modulation, Behaviors (3.8-3.9, 4.1-4.3)
\nThursday, February 10 – Behaviors, FFT, Spectral Centroid (4.4-4.9, 5.1-5.2)<\/p>\n
\nTuesday, February 15 – Patterns, Algorithmic Composition (5.3-5.7 , 6.1)
\nThursday, February 17 – EXAM 1<\/strong>
\nProject 3 (FM Synthesis, Spectral Centroid) due Monday, February 21 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, February 22 – Granular Synthesis (6.2)
\nThursday, February 24 – Sampling Techniques (7.1)<\/p>\n
\nTuesday, March 1 – Filters (7.2)
\nThursday, March 3 – FFT Analysis and Reconstruction, Spectral Modeling (8.1-8.2)
\nProject 4 (Granular Synthesis) due Monday, March 14 by 11:59PM Eastern (Note: first day after Spring Break)<\/em><\/p>\n
\nTuesday, March 15 – Source-Filter Models, LPC (9.1-9.2)
\nThursday, March 17 – Vocal Synthesis (9.3-9.8)<\/p>\n
\nTuesday, March 22 – Mass-Spring Models, Karplus-Strong Algorithm (11.1-11.3)
\nThursday, March 24 – Waveguide and Guitar Models (11.4-11.11)
\nProject 5 (Sampling, Spectral Processing) due Monday, March 28 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, March 29 – Acoustics and Perception (10.1-10.2)
\nThursday, March 31 – EXAM 2<\/strong><\/p>\n
\nTuesday, April 5 – Echo, Reverberation and Panning (10.3)
\nThursday, April 7 – NO CLASS
\nProject 6 (Physical Models) due Monday, April 11 by 11:59PM Eastern<\/em><\/p>\n
\nTuesday, April 12 – Algorithmic Compositions: Additional Techniques
\nThursday, April 14 – Advanced Synthesis Techniques (12.1-12.4)<\/p>\n
Tuesday, April 19 – Compression Principles, MP3, LPC (13.1-13.5)
Thursday, April 21 – MIDI (13.7)
\nProject 7 (Computer Music Composition) due Monday, April 25 by 11:59PM Eastern (NO LATE DAYS ALLOWED)<\/em><\/p>\n
Tuesday, April 26 – Music Processing and Analysis (14.1-14.5)
Thursday, April 28 – 15-622 Project Presentations
\nFriday, April 29 – 15-322\/622 Concert (Afternoon\/Evening Sessions)* – special class meeting – Times TBA<\/p>\n
\nFINAL EXAM – TBD (May 2 – May 10)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"