I used a feedback system to create an echo. One of flex sensors pitch-shifts the echo, another one sets the delay of the echo, and the last one sets the volume for the echo. There’s also a degrade that goes from a resolution of 0 bits to 10 bits, then back from 10 bits to 0 bits in a loop. The rate at which the resolution changes is set by the potentiometer.
Video of me changing some of the sensors and the resulting audio
Recording of audio where I used the sensors to process the song Na Na Na by My Chemical Romance
Google drive: https://drive.google.com/drive/u/1/folders/15FI85RAck9Aa7uP0DOmOIj3rCryVGnxx
]]>https://drive.google.com/open?id=1B5iahaCX-J2qdh0D5FXXVcFuQnt2_9Eg
]]>do note: this delightful max tutorial is what allowed me to implement the dual pfft~ greater than/less than amplitude filtration. to this base patch, i added the midi keyboard control and the poly implementation of the amplitude filter, which allows for extremely quirky, layered filtration. the below sounds are cool, but using this patch ‘live’ is the real benefit of it, i’d say.
Google drive: https://drive.google.com/drive/u/1/folders/10HVZOsRGqB9YmebxQ9y7pLAmwNyv2J9W
]]>My first impulse recording was taken in a hallway in Baker Hall by recording the popping a balloon. The second impulse recording was taken in the courtyard in Mudge using the same method. My first experimental impulse recording was a ringtone. For the second experimental impulse recording I reversed the original audio and added a tempo change of -25%. Here are each of the impulse recordings:
Here are the convolved signals:
google drive link: https://drive.google.com/drive/u/1/folders/1IjURagJg5kqgJC3mnuv69d9FneUeMlrJ
]]>https://soundcloud.com/harke-official/p3-convolve-the-girl
https://drive.google.com/open?id=1z_9L-1SVYyMEaXSGvY9rVUS43RD-tb_A
]]>Sample used is a free piano loop from Cymatics
Sample and code can be found here: https://drive.google.com/open?id=1GegSX5L9t_hepPwi–p9KOkjNO7kZuGr
]]>This patch takes an input, runs it into a delay with feedback, then sends the output of that signal into two delays, one in the left channel and one in the right. each of those two signals feeds back into itself, as well as into the input of the opposite side’s signal. for each three of these delay chains, the delay time and pitch modulates randomly. from there, the pitch modulation effect from the feedback is mitigated by a pitch corrector, which fixes each note (or rather, attempts to) to an A. this semi-randomly modulated signal, paired with a nearly-self-oscillating delay chain and enforced pitch effect, creates irregular swells and digital artifacts within a smooth wave of delay.
drive: https://drive.google.com/drive/folders/1fgAeqN-eK4_rT5vyeMRwL-Cu93NiJY-h
sample sound from: https://www.youtube.com/watch?v=RHSbZBuqOvU
]]>Link to google drive: https://drive.google.com/drive/u/1/folders/1TvdzJoAuPSR6QbU16iHvAaTR8X0kJjw-
]]>The collection of produced images can be found here: https://drive.google.com/drive/folders/1gBPbAUWQjrRO948-1sF7Zf4l6LjDVhHp?usp=sharing
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