Art Work References
“Guilty” by Tony Oursler (1995)
A woman, in the form of a projected face attached to an empty outfit, yells accusatory remarks at viewers from underneath a mattress.
“Guilty” by Tony Oursler (1995)
A woman, in the form of a projected face attached to an empty outfit, yells accusatory remarks at viewers from underneath a mattress.
“How To Destroy Angels Live 2013” by Roy Bennett, Rob Sheridan, and Moment Factory (2013)
For How To Destroy Angels’ 2013 tour, Roy Bennet, Rob Sheridan, and Moment Factory created a multi-layered curtain of surgical tubing to be used as a projection surface.
“How To Destroy Angels Live 2013” by Roy Bennett, Rob Sheridan, and Moment Factory (2013)
For How To Destroy Angels’ 2013 tour, Roy Bennet, Rob Sheridan, and Moment Factory created a multi-layered curtain of surgical tubing to be used as a projection surface.
“Two Sides of Every Story” by Michael Snow (1974)
For this exhibition, Michael Snow projected two films on opposite sides of a hanging metal plate. Each side showed a perspective of two opposite camera men where they were filming a woman walking and moving between them.
“Two Sides of Every Story” by Michael Snow (1974)
For this exhibition, Michael Snow projected two films on opposite sides of a hanging metal plate. Each side showed a perspective of two opposite camera men where they were filming a woman walking and moving between them.
“Hidden Worlds” by Seeper for Illuminating York (2014)
Vimeo / Typeone – via Iframely This is another main peace of Illuminating York in year 2014, taking place onto the Crown Court Building at the end of October. The theme for the 2014 festival was Leading Lights, which uncovered
“Hidden Worlds” by Seeper for Illuminating York (2014)
Vimeo / Typeone – via Iframely This is another main peace of Illuminating York in year 2014, taking place onto the Crown Court Building at the end of October. The theme for the 2014 festival was Leading Lights, which uncovered
“The Veiling” by Bill Viola (1995)
This sculptural video installation was one of five pieces that Bill Viola premiered at the 46th Venice Biennale. It consists of nine scrims suspended parallel to one another. Projectors at either end of the row of scrims show images of a
“The Veiling” by Bill Viola (1995)
This sculptural video installation was one of five pieces that Bill Viola premiered at the 46th Venice Biennale. It consists of nine scrims suspended parallel to one another. Projectors at either end of the row of scrims show images of a
“Marling” by Usman Haque (2012)
Vimeo / haque d+r – via Iframely Usman Haque and his studio Haque Design+Research has been doing great works in interactive architecture. Marling is a mass-participation interactive urban spectacle, and was projected in a public square in Eindhoven, Netherlands. This is
“Marling” by Usman Haque (2012)
Vimeo / haque d+r – via Iframely Usman Haque and his studio Haque Design+Research has been doing great works in interactive architecture. Marling is a mass-participation interactive urban spectacle, and was projected in a public square in Eindhoven, Netherlands. This is
“PROJECTIONS” by Jenny Holzer (1996-2011)
PROJECTIONS is a piece by Jenny Holzer featuring poetry by Wislawa Szymborska scrolling slowly down the ceiling and walls of a huge room with bean bag chairs strewn around the floor for visitors to sit and watch on. It was staged in many different
“PROJECTIONS” by Jenny Holzer (1996-2011)
PROJECTIONS is a piece by Jenny Holzer featuring poetry by Wislawa Szymborska scrolling slowly down the ceiling and walls of a huge room with bean bag chairs strewn around the floor for visitors to sit and watch on. It was staged in many different
“Bluebeard” by 33 1/3 Collective (2012)
A opera performance with no live components, Bluebeard features pre-recorded music and an extended sequence of video images projection-mapped to a large white cube (sometimes pivoting) in the center of a performance space. It received its North American premiere at the Prototype
“Bluebeard” by 33 1/3 Collective (2012)
A opera performance with no live components, Bluebeard features pre-recorded music and an extended sequence of video images projection-mapped to a large white cube (sometimes pivoting) in the center of a performance space. It received its North American premiere at the Prototype
“Hirshhorn Museum, Washington D.C.” by Kristof Wodiczko (1988)
This piece offers a portrait of the inner personality of the Hirshhorn Museum, a modern art museum located in close proximity to the National Mall and federal government buildings in Washington D.C. The gun and the candle seem to indicate
“Hirshhorn Museum, Washington D.C.” by Kristof Wodiczko (1988)
This piece offers a portrait of the inner personality of the Hirshhorn Museum, a modern art museum located in close proximity to the National Mall and federal government buildings in Washington D.C. The gun and the candle seem to indicate
“Textile Room” by Casey Reas (2013)
Textile Room (2013) was a collaboration between Casey Reas and the architecture firm P-A-T-T-E-R-N-S. It consists of a geometric frame wrapped in lightweight fabric and film strips. The sculpture is mapped with generative video content based on movie sequences that feature Los Angeles.
“Textile Room” by Casey Reas (2013)
Textile Room (2013) was a collaboration between Casey Reas and the architecture firm P-A-T-T-E-R-N-S. It consists of a geometric frame wrapped in lightweight fabric and film strips. The sculpture is mapped with generative video content based on movie sequences that feature Los Angeles.