References
“Reifying Desire” by Jacolby Satterwhite (2013)
In “Reifying Desire” (2013) Jacolby Satterwhite continues his practice of embedding live action in surreal CGI dreamscapes. He dons skintight space-age getups, performing choreographed movements combining vogue culture and martial arts. Artifacts from the artist’s childhood (his mother’s drawings and products she
“Reifying Desire” by Jacolby Satterwhite (2013)
In “Reifying Desire” (2013) Jacolby Satterwhite continues his practice of embedding live action in surreal CGI dreamscapes. He dons skintight space-age getups, performing choreographed movements combining vogue culture and martial arts. Artifacts from the artist’s childhood (his mother’s drawings and products she
“AugMented ReaL” by Yung Jake (2013)
AugMented ReaL is an Augmented Reality Application by Rapper/Artist Yung Jake.
“The app taps into your iPhone’s camera, and when hovered over the accompanying rock image – for a lack of a better term – found here, it begins playing his song “Augmented Real” and a 3D rendering of Yung Jake himself appears dancing amidst floating money and strippers.”
Read More here…
“AugMented ReaL” by Yung Jake (2013)
AugMented ReaL is an Augmented Reality Application by Rapper/Artist Yung Jake.
“The app taps into your iPhone’s camera, and when hovered over the accompanying rock image – for a lack of a better term – found here, it begins playing his song “Augmented Real” and a 3D rendering of Yung Jake himself appears dancing amidst floating money and strippers.”
Read More here…
“Visiting Artist Talk- UCLA” by LaTurbo Avedon (2014)
“Simply put, the artist keeps her real identity unknown, but promotes and creates her web art using the screen name “LaTurbo Avedon.” This “avatar” is actively involved in most popular social media networks and exists as a sort of ongoing performance piece/persona cultivated by the artist. The relationship between her online and offline personalities is unknown, but LaTurbo has certainly captivated many curious followers online.”
Read more here…
“Visiting Artist Talk- UCLA” by LaTurbo Avedon (2014)
“Simply put, the artist keeps her real identity unknown, but promotes and creates her web art using the screen name “LaTurbo Avedon.” This “avatar” is actively involved in most popular social media networks and exists as a sort of ongoing performance piece/persona cultivated by the artist. The relationship between her online and offline personalities is unknown, but LaTurbo has certainly captivated many curious followers online.”
Read more here…
“Script” by Lauren McCarthy (2010)
McCarthy invited people from the internet to collaborate, wiki style, on making the script for her life the next day. Then she acted it out as close as she could the next day. This was a month long performance.
“Script” by Lauren McCarthy (2010)
McCarthy invited people from the internet to collaborate, wiki style, on making the script for her life the next day. Then she acted it out as close as she could the next day. This was a month long performance.
“Light Leaks” by Kyle McDonald (2013)
Vimeo / Kyle McDonald – via Iframely A scattered array of fifty mirror balls reflect light from three projectors, filling a room completely with small reflections, casting patterns that fill the visitor’s peripheral vision. Creating a curious space that alternates
“Light Leaks” by Kyle McDonald (2013)
Vimeo / Kyle McDonald – via Iframely A scattered array of fifty mirror balls reflect light from three projectors, filling a room completely with small reflections, casting patterns that fill the visitor’s peripheral vision. Creating a curious space that alternates
“Rain Room” by rAndom International (2012)
Posts Vimeo / rAndom International – via Iframely Rain Room is an installation art that could also be seen as a “trust game”. In the room of falling water, the 3D camera tracks visitor’s walking path and navigate the rain, so that
“Rain Room” by rAndom International (2012)
Posts Vimeo / rAndom International – via Iframely Rain Room is an installation art that could also be seen as a “trust game”. In the room of falling water, the 3D camera tracks visitor’s walking path and navigate the rain, so that
“Fatebook” by New Paradise Laboratories (2009-)
New Paradise Laboratories is an internet-based theatre company in Philadelphia observing ways in which social media platforms might be utilized to re-imagine theatre. In “Fatebook”, one of their earlier projects, one may click through and peer into the lives of
“Fatebook” by New Paradise Laboratories (2009-)
New Paradise Laboratories is an internet-based theatre company in Philadelphia observing ways in which social media platforms might be utilized to re-imagine theatre. In “Fatebook”, one of their earlier projects, one may click through and peer into the lives of
“I Feel Your Pain” by Liz Magic Laser (2011)
I Feel Your Pain draws upon the language of contemporary political figures in press conference dialogue and emotionally charged interviews, using it as script for actors. The repurposed dialogue is treated as both theatre and cinema, performed, remixed and projected before a live
“I Feel Your Pain” by Liz Magic Laser (2011)
I Feel Your Pain draws upon the language of contemporary political figures in press conference dialogue and emotionally charged interviews, using it as script for actors. The repurposed dialogue is treated as both theatre and cinema, performed, remixed and projected before a live
“Hamlet” by The Wooster Group (2007/ 2012)
In their production of Hamlet, performance collective The Wooster Group reference Shakespeare’s iconic tragedy while simultaneously paying homage to a famous example of early digitally-mediated performance presented back in 1964 on Broadway by director John Gielgud. Gielgud had surprised audiences
“Hamlet” by The Wooster Group (2007/ 2012)
In their production of Hamlet, performance collective The Wooster Group reference Shakespeare’s iconic tragedy while simultaneously paying homage to a famous example of early digitally-mediated performance presented back in 1964 on Broadway by director John Gielgud. Gielgud had surprised audiences
“Intergalactic Immigration Office” by Daniel Pillis, Zhiwan Cheung (2015)
Intergalactic Immigration Office was a project where I and other performers dressed as aliens and created a mock spaceship crash in Shenly Park. We attempted to issue intergalactic IDs to the public by creating 3-D scans that became “alien” to the
“Intergalactic Immigration Office” by Daniel Pillis, Zhiwan Cheung (2015)
Intergalactic Immigration Office was a project where I and other performers dressed as aliens and created a mock spaceship crash in Shenly Park. We attempted to issue intergalactic IDs to the public by creating 3-D scans that became “alien” to the