“Surface Tension” by Rafael Lozano-Hemmer: An Expanded Theater Work
“Surface Tension” attributed to Rafael Lozano-Hemmer is a projection work in which an eye follows a viewer around the room. While simplistic, this piece was politically relevant when it was first shown. Besides the immediate political comment, the piece continues
“Surface Tension” by Rafael Lozano-Hemmer: An Expanded Theater Work
“Surface Tension” attributed to Rafael Lozano-Hemmer is a projection work in which an eye follows a viewer around the room. While simplistic, this piece was politically relevant when it was first shown. Besides the immediate political comment, the piece continues
Sketch 1: Three Cameras
Alicia Ott, Kevin Ramser Our goal is to create an installation in which a single user becomes the center of an interactive multi-camera system. The user stands in the center of a configuration of three monitors, each displaying a live feed
Sketch 1: Three Cameras
Alicia Ott, Kevin Ramser Our goal is to create an installation in which a single user becomes the center of an interactive multi-camera system. The user stands in the center of a configuration of three monitors, each displaying a live feed
![](../../wp-content/uploads/2015/09/Screen-Shot-2015-09-15-at-10.45.54-AM-210x148.png)
“TBA” by Daniel Pillis, Yousuf Soliman, Claire Hentschker, Dan Sakamoto
Google Docs – via Iframely We are proposing an design fiction installation which allows participants to experience an updated vision of the dystopias presented in science fiction stories like Vonnegut’s “Harrison Bergeron”. Viewing current models of remote communication as
![](../../wp-content/uploads/2015/09/Screen-Shot-2015-09-15-at-10.45.54-AM-210x148.png)
“TBA” by Daniel Pillis, Yousuf Soliman, Claire Hentschker, Dan Sakamoto
Google Docs – via Iframely We are proposing an design fiction installation which allows participants to experience an updated vision of the dystopias presented in science fiction stories like Vonnegut’s “Harrison Bergeron”. Viewing current models of remote communication as
Humanity at Sea, Ideation
In this sketch we will explore our desire to make an image real, to make it known and understood, and our frustration with the limits of that knowledge and experience.
Humanity at Sea, Ideation
In this sketch we will explore our desire to make an image real, to make it known and understood, and our frustration with the limits of that knowledge and experience.
![](../../wp-content/uploads/2015/09/Screen-Shot-2015-09-15-at-9.53.24-AM-210x116.png)
Finnbogi Petursson – infra-supra (2014)
“Spotlights show the water reflection from a different angle in one large image on an opposite wall. The ripples travel across the water surface; they disappear for a while then appear bit later mixed with the ripples coming from the
![](../../wp-content/uploads/2015/09/Screen-Shot-2015-09-15-at-9.53.24-AM-210x116.png)
Finnbogi Petursson – infra-supra (2014)
“Spotlights show the water reflection from a different angle in one large image on an opposite wall. The ripples travel across the water surface; they disappear for a while then appear bit later mixed with the ripples coming from the
![](../../wp-content/uploads/2015/09/index-210x126.jpg)
“Araneola” by Friedrich van Schoor (2012)
Spiders recorded on a scale model of a building and projected on a larger scale on the building.
![](../../wp-content/uploads/2015/09/index-210x126.jpg)
“Araneola” by Friedrich van Schoor (2012)
Spiders recorded on a scale model of a building and projected on a larger scale on the building.
![](../../wp-content/uploads/2015/09/seoul-210x119.jpg)
“Link” by Kimchi and Chips (2010)
This is an interactive installation created with many cardboard boxes stacked to form some sort of urban landscape on which images of participants were projected. People could come up to the installation and record a video of themselves and see
![](../../wp-content/uploads/2015/09/seoul-210x119.jpg)
“Link” by Kimchi and Chips (2010)
This is an interactive installation created with many cardboard boxes stacked to form some sort of urban landscape on which images of participants were projected. People could come up to the installation and record a video of themselves and see
![](../../wp-content/uploads/2015/09/SandboxRLH6571-210x315.jpg)
“Sandbox” by Rafael Lozano-Hemmer (2010)
This piece uses large scale projection and cameras to create interactions between people on different size scales. A camera records and aerial view of people on a beach and projects it onto a sand box (small scale) for people to
![](../../wp-content/uploads/2015/09/SandboxRLH6571-210x315.jpg)
“Sandbox” by Rafael Lozano-Hemmer (2010)
This piece uses large scale projection and cameras to create interactions between people on different size scales. A camera records and aerial view of people on a beach and projects it onto a sand box (small scale) for people to
![](../../wp-content/uploads/2015/09/bean-2-210x139.jpg)
“Luminous Field” by LuftWerk (2012)
Luminous Fields doesn’t project on to a sculpture, but it is a projection mapping project that could only work with sculpture. Simple designs are projected on the ground under and around the famous Chicago “Bean”. Because of the reflective nature
![](../../wp-content/uploads/2015/09/bean-2-210x139.jpg)
“Luminous Field” by LuftWerk (2012)
Luminous Fields doesn’t project on to a sculpture, but it is a projection mapping project that could only work with sculpture. Simple designs are projected on the ground under and around the famous Chicago “Bean”. Because of the reflective nature