Welcome to Expanded Theater
Welcome to Expanded Theater. Please refer to the following pages as starting points for navigating this course website: Syllabus Calendar Faculty: Ali Momeni (School of Art) and Larry Shea (School of Drama) Lectures
Welcome to Expanded Theater
Welcome to Expanded Theater. Please refer to the following pages as starting points for navigating this course website: Syllabus Calendar Faculty: Ali Momeni (School of Art) and Larry Shea (School of Drama) Lectures
Photogrammetry Software and Tutorials
Desktop: Agisoft PhotoScan: versatile, highly hackable and scriptable Autodesk Remake: good for objects Autodesk ReCap 360: good for spaces/architecture Mobile: Autodesk 123D Catch Trnio Tutorials: Autodesk’s How to Take Good Pictures for Photogrammetry Claire Hentschker’s “What to use when” chart:
Photogrammetry Software and Tutorials
Desktop: Agisoft PhotoScan: versatile, highly hackable and scriptable Autodesk Remake: good for objects Autodesk ReCap 360: good for spaces/architecture Mobile: Autodesk 123D Catch Trnio Tutorials: Autodesk’s How to Take Good Pictures for Photogrammetry Claire Hentschker’s “What to use when” chart:
3D Modeling Resources
Cartoon Character Modeling, Rigging, Animation Cartoon Character Rigging and Animation
3D Modeling Resources
Cartoon Character Modeling, Rigging, Animation Cartoon Character Rigging and Animation
Reflections
Created by Yasha Jain, Michael James, and Kabir Mantha The piece “Reflections” explores power relationships through the manipulation of angle and time. A rotatable double-sided reflective surface (commonly known as a whiteboard), inherently forces spectators into two disparate experiences. It
Reflections
Created by Yasha Jain, Michael James, and Kabir Mantha The piece “Reflections” explores power relationships through the manipulation of angle and time. A rotatable double-sided reflective surface (commonly known as a whiteboard), inherently forces spectators into two disparate experiences. It
Close (but not too close)
By Jess Medenbach, Emily Saltz, Irene Alvarado, Caroline Hermans Overview: Close (but not too close) explores the boundaries of personal—and technological—space. The viewer’s relationship with the projected woman changes depending on their proximity to her, leading them to work with
Close (but not too close)
By Jess Medenbach, Emily Saltz, Irene Alvarado, Caroline Hermans Overview: Close (but not too close) explores the boundaries of personal—and technological—space. The viewer’s relationship with the projected woman changes depending on their proximity to her, leading them to work with
Esophageal Sphincter
By Clare Carroll, Tim Sherman, and Samir Gangwani The prompt for our project was to recreate an exterior space in the blackbox theater. We chose to explore the unseen space of the digestive tract in our piece. We combined mouth
Esophageal Sphincter
By Clare Carroll, Tim Sherman, and Samir Gangwani The prompt for our project was to recreate an exterior space in the blackbox theater. We chose to explore the unseen space of the digestive tract in our piece. We combined mouth
Shy Friend
By John Hwang, Joe Mertz, and Sydney Ayers Description: For our immersive experience we aimed to reconstruct and simulate an innocent, playful, and familiar experience from childhood. The setting is reminiscent of a pillow fort, decorated with pillows, blankets, bed
Shy Friend
By John Hwang, Joe Mertz, and Sydney Ayers Description: For our immersive experience we aimed to reconstruct and simulate an innocent, playful, and familiar experience from childhood. The setting is reminiscent of a pillow fort, decorated with pillows, blankets, bed