Here is the loop patch I used within the grain synthesis patch
For this piece, I tried to recreate some of the noise music that I’ve listened to based on some of the techniques Alexander showed us last week. I took two recordings from freesound, one of a man screaming and the other of soda being poured into a cup. I used the soda sound for a base rumble underneath the piece. This was mainly done by pitching the sound downward and adding reverb. I then distorted the scream in order to create the static on top. I edited this sound through time stretching and different filters. I used ableton live and also used a Noise Vocoder to distort the sound even further.
]]>The program I used is called MuLab, and also causes occasional white noise over the rest of the audio, as it is a free program. I paulstretched both songs to around 69.6 bpm, and then pitch shifted them both down 6 semitones. I then added some EQ’d drums over Big Time. The drum samples I got mostly from Alex’s sounds. I automated a distortion to ramp up from the beginning. I added some effect called a “spiral echo” on the vocal sample of Christian Bale saying “I’m just a happy camper”, and automated the pitch direction of that echo. There is a grain synthesis module for MuLab, but it is difficult to use. I recorded myself messing with the grain synthesis to start with a really low grain rate then increasing towards the middle of Big Time, then decrease playback speed by a ton. I used a comb bass filter hit, pitched it a bunch after the grain synthesis on Bit Time and added a really low noise over Christian Bale freaking out over Paul Allen’s business card. I really liked how this turned out, it sounds way different and much more personal than the rest of the track. The final section includes a slowed down version of Hip to be Square that has the “Happy Camper” sample again.
Everything has EQ on it, the master output has compression running.
The general concept to this piece follows the facade of Patrick Bateman’s seemingly perfect life, but he can’t cope with being perceived as normal for that long. As in the movie, Bateman then has a moment where he loses it slightly in the business card scene, then continues with his attempt at fitting in for the rest of the piece.
]]>In this short experiment, my goal was to create an atmosphere with some elements of a familiar setting, and other elements that would cause the listener to question the environment. I exclusively used field recordings, but processed each sample to varying degrees, allowing some elements to remain recognizable and other elements to be transformed into curious effects.
]]>This glitch track is half woken.
]]>https://drive.google.com/file/d/0B0CRVe4BR6hVblkzMVpJQ2lYT1k/view?usp=sharing
~Daniel Cohen
]]>