Taking Kirk Pearson and BIT’s Indian Head Test Pattern (which I helped compose and produce) as a springboard, I delved into exploring convolution reverb. I took both other pieces I have composed and sounds I have recorded, edited them, then used them as impulse responses to create this drone-y piece that moves through different sound worlds. The technique that struck me most about both Alexander’s music and the other stuff he showcased us was convolution reverb, and I hoped to emulate the really beautiful soundscapes that I heard.