{"id":6713,"date":"2020-10-26T03:38:53","date_gmt":"2020-10-26T07:38:53","guid":{"rendered":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/?page_id=6713"},"modified":"2020-10-26T05:32:58","modified_gmt":"2020-10-26T09:32:58","slug":"faces-in-new-media-art","status":"publish","type":"page","link":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/daily-notes\/october\/10-26-telematics-faces\/faces-in-new-media-art\/","title":{"rendered":"Faces in New Media Art"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-6720\" src=\"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-content\/uploads\/2020\/10\/ssbkyh_cloudface_animation.gif\" alt=\"\" width=\"600\" height=\"402\" \/><br \/>\n<a href=\"http:\/\/ssbkyh.com\/works\/cloud_face\/\"><em>Cloud Face<\/em><\/a> by Shinseungback Kimyonghun (2012)<\/p>\n<hr \/>\n<h3>Some CMU Student Projects Using Faces<\/h3>\n<ul>\n<li><span style=\"font-weight: 400;\">Max Hawkins, <\/span><a href=\"https:\/\/vimeo.com\/10191761\"><span style=\"font-weight: 400;\">FaceFlip<\/span><\/a><span style=\"font-weight: 400;\">\u00a0(2011)<\/span><\/li>\n<li>Keith Lafuente, <a href=\"https:\/\/keithlafuente.com\/Mark-Emily\" rel=\"nofollow\">Mark and Emily\u00a0(performance)<\/a>\u00a0(2011)<\/li>\n<li>Rachel Ciavarella, <a href=\"https:\/\/vimeo.com\/126283584\" rel=\"nofollow\">Animatronic Avatars<\/a>\u00a0(2015)<\/li>\n<li>Lingdong Huang,\u00a0<a href=\"https:\/\/vimeo.com\/187285292\" rel=\"nofollow\">Face-Powered Shooter<\/a>\u00a0(2017)<\/li>\n<\/ul>\n<hr \/>\n<h3>AR Face Filters<\/h3>\n<p>Filters are now a part of popular culture:<\/p>\n<p><iframe title=\"Snapchat Filter Reporter - SNL\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/KYGDEDrrJj0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>It&#8217;s important to realize that filters can also affect the world <em>around<\/em> the face:<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">One of my favorite <a href=\"https:\/\/twitter.com\/hashtag\/AR?src=hash&amp;ref_src=twsrc%5Etfw\">#AR<\/a> filters right now. <a href=\"https:\/\/twitter.com\/LykkeStudios?ref_src=twsrc%5Etfw\">@LykkeStudios<\/a> are the ones behind this gem. <a href=\"https:\/\/t.co\/RtHbNVPMoM\">pic.twitter.com\/RtHbNVPMoM<\/a><\/p>\n<p>&mdash; Bobby Carlton \ud83d\ude80 (@bcarlton727) <a href=\"https:\/\/twitter.com\/bcarlton727\/status\/1089348566668267521?ref_src=twsrc%5Etfw\">January 27, 2019<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<h3>David O&#8217;Reilly&#8217;s AR Filter Feature Films<\/h3>\n<p><em>Arguably the first works of art (even &#8220;film&#8221;) using social media smart filters as a medium.<\/em><\/p>\n<ul>\n<li><a href=\"http:\/\/www.davidoreilly.com\/works#\/aaahhhhhhh\/\">Aaahhhhhhh<\/a> (2019)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=RtzsxFqGn8c\">It&#8217;s Always You<\/a> (2019)<\/li>\n<li><a href=\"http:\/\/www.davidoreilly.com\/works#\/simulation\/\">Simulation<\/a> (2019)<\/li>\n<\/ul>\n<hr \/>\n<h3>Performance<\/h3>\n<ul>\n<li>Peter Campus,\u00a0<a href=\"https:\/\/vimeo.com\/21140656\"><em>Three Transitions<\/em>\u00a0(2nd Transition)<\/a>\u00a0(1973)<\/li>\n<\/ul>\n<h3><a id=\"user-content-face-analysis-as-artwork\" class=\"anchor\" href=\"https:\/\/github.com\/golanlevin\/lectures\/tree\/master\/lecture_face#face-analysis-as-artwork\" aria-hidden=\"true\"><\/a>Face Analysis\u00a0<em>as\/in<\/em>\u00a0Artwork<\/h3>\n<ul>\n<li>Nancy Burson,\u00a0<a href=\"https:\/\/www.nancyburson.com\/portfolio\/G0000Vk2soDvV_Fc\" rel=\"nofollow\"><em>Composites<\/em><\/a>\u00a0(1982)<\/li>\n<li>Adam Harvey,\u00a0<a href=\"http:\/\/cvdazzle.com\/\" rel=\"nofollow\">CV Dazzle<\/a>\u00a0(2010)<\/li>\n<li>Zach Blas,\u00a0<a href=\"http:\/\/www.zachblas.info\/projects\/facial-weaponization-suite\/\" rel=\"nofollow\">Face Weaponization Suite<\/a>\u00a0(2011-2014)<\/li>\n<li>Heather Dewey-Hagborg,\u00a0<a href=\"http:\/\/deweyhagborg.com\/strangervisions\/portraits.html\" rel=\"nofollow\"><em>Stranger Visions<\/em><\/a> (2012)<\/li>\n<li>Jack Adam,\u00a0<a href=\"http:\/\/jackadam.github.io\/2011\/how-small-can-you-make-your-stupid-face\/\" rel=\"nofollow\"><em>Tiny Face<\/em><\/a>\u00a0(2011)<\/li>\n<li>Onformative,\u00a0<a href=\"https:\/\/onformative.com\/work\/google-faces\" rel=\"nofollow\"><em>Google Faces<\/em><\/a>\u00a0(2013)<\/li>\n<li>Christian Moeller,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=B61CEiPWzGk\" rel=\"nofollow\"><em>Cheese<\/em><\/a>\u00a0(2003)<\/li>\n<li>Theo Watson,\u00a0<a href=\"https:\/\/vimeo.com\/10356980\" rel=\"nofollow\"><em>Autosmiley<\/em><\/a>\u00a0(2010)<\/li>\n<li>Kyle McDonald &amp; Lauren McCarthy, <a href=\"https:\/\/vimeo.com\/81903116\">Us+<\/a> (2013)<\/li>\n<li><span style=\"font-weight: 400;\">Hayden Anyasi, <\/span><a href=\"http:\/\/standardeyes.co.uk\"><span style=\"font-weight: 400;\">StandardEyes<\/span><\/a><span style=\"font-weight: 400;\">. 2016.\u00a0<\/span><\/li>\n<\/ul>\n<h3><a id=\"user-content-face-as-controller\" class=\"anchor\" href=\"https:\/\/github.com\/golanlevin\/lectures\/tree\/master\/lecture_face#face-as-controller\" aria-hidden=\"true\"><\/a>Face as Interface Controller<\/h3>\n<ul>\n<li>Joachim Sauter &amp; Dirk L\u00fcsebrink,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=yi8d41ATMVM\" rel=\"nofollow\"><em>Iconoclast \/ Zerseher<\/em><\/a>\u00a0(1992)<\/li>\n<li>Mary Huang, [<em>Typeface2<\/em>] (<a href=\"http:\/\/vimeo.com\/9587564\" rel=\"nofollow\">http:\/\/vimeo.com\/9587564<\/a>) (2010)<\/li>\n<li>Kyle McDonald &amp; Matt Mets,\u00a0<a href=\"https:\/\/vimeo.com\/78431948#t=0m18s\">Blind Self Portrait<\/a> (2012)<\/li>\n<li>Nexus Studio,\u00a0<a href=\"https:\/\/twitter.com\/nexusstories\/status\/1023984741001965571\" rel=\"nofollow\"><em>Face Pinball<\/em><\/a>\u00a0(2018)<\/li>\n<\/ul>\n<h3><a id=\"user-content-virtual-puppeteering\" class=\"anchor\" href=\"https:\/\/github.com\/golanlevin\/lectures\/tree\/master\/lecture_face#virtual-puppeteering\" aria-hidden=\"true\"><\/a>Virtual Puppeteering<\/h3>\n<ul>\n<li>Karleen Groupierre,\u00a0<a href=\"http:\/\/vimeo.com\/20891308\" rel=\"nofollow\"><em>Miroir<\/em><\/a>\u00a0(2011)<\/li>\n<li>Karolina Sobecka,\u00a0<a href=\"http:\/\/vimeo.com\/35262930\" rel=\"nofollow\"><em>All the Universe is Full of the Lives of Perfect Creatures<\/em><\/a>\u00a0(2012)<\/li>\n<li>Kyle McDonald and Arturo Castro,\u00a0<a href=\"http:\/\/vimeo.com\/29348533\" rel=\"nofollow\"><em>Face Substitution<\/em><\/a>\u00a0(2011)<\/li>\n<li>Kyle McDonald,\u00a0<a href=\"https:\/\/vimeo.com\/96549043\" rel=\"nofollow\"><em>Sharing Faces<\/em><\/a>\u00a0(2013)<\/li>\n<li>Zach Lieberman,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BDxsVZ0JNpm\/?utm_source=ig_embed\" rel=\"nofollow\"><em>M\u00e1s Que la Cara<\/em><\/a>\u00a0(2016)<\/li>\n<\/ul>\n<h3>IRL Augmented Face Projection<\/h3>\n<ul>\n<li>Zach Lieberman et al,\u00a0<a href=\"https:\/\/vimeo.com\/26649425\" rel=\"nofollow\"><em>Chase No Face<\/em><\/a>\u00a0(2011)<\/li>\n<li>Nobumichi Asai et al.,\u00a0<a href=\"https:\/\/vimeo.com\/103425574\" rel=\"nofollow\"><em>OMOTE<\/em><\/a>\u00a0(2014)<\/li>\n<\/ul>\n<hr \/>\n<h3><a id=\"user-content-bonus-zach-liebermans-instagram-studies\" class=\"anchor\" href=\"https:\/\/github.com\/golanlevin\/lectures\/tree\/master\/lecture_face#bonus-zach-liebermans-instagram-studies\" aria-hidden=\"true\"><\/a>Bonus Materials<\/h3>\n<p><strong>Zach Lieberman&#8217;s AR face studies:<\/strong><br \/>\n<em><a href=\"https:\/\/vimeo.com\/32857963\" rel=\"nofollow\">Face++<\/a><\/em>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/Beli5JFAM0o\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BegV_t7AoUJ\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BeeP2yaATEd\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BeYBf_8AI0n\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BeT1n_pAFUN\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/Bd0gS9NAf4N\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BdJfpljAfQJ\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BdHFBDgAkRx\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/Bc_ynw5AC7q\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BaZ2Ed9AZgG\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BY9SY6gAkNJ\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BZBzEq-APM2\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BXTBSFpgkIS\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/p\/BUicj7zAAfm\/?taken-by=zach.lieberman\" rel=\"nofollow\">inst<\/a><\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">testing out neural filters in ps 2021<br \/>Girl with a Pearl Earring by Johannes Vermeer <a href=\"https:\/\/t.co\/0ArAOVss2m\">pic.twitter.com\/0ArAOVss2m<\/a><\/p>\n<p>&mdash; AK (@ak92501) <a href=\"https:\/\/twitter.com\/ak92501\/status\/1319111613769797632?ref_src=twsrc%5Etfw\">October 22, 2020<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cloud Face by Shinseungback Kimyonghun (2012) Some CMU Student Projects Using Faces Max Hawkins, FaceFlip\u00a0(2011) Keith Lafuente, Mark and Emily\u00a0(performance)\u00a0(2011) Rachel Ciavarella, Animatronic Avatars\u00a0(2015) Lingdong Huang,\u00a0Face-Powered Shooter\u00a0(2017) AR Face Filters Filters are now a part of popular culture: It&#8217;s important to realize that filters can also affect the world around the face: One of my &hellip; <a href=\"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/daily-notes\/october\/10-26-telematics-faces\/faces-in-new-media-art\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Faces in New Media Art&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":6710,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages\/6713"}],"collection":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/comments?post=6713"}],"version-history":[{"count":6,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages\/6713\/revisions"}],"predecessor-version":[{"id":6723,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages\/6713\/revisions\/6723"}],"up":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages\/6710"}],"wp:attachment":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/media?parent=6713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}