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- In light of our readings<\/a>, we acknowledge our (new media artists’) complicity in normalizing face tracking, and our ambivalence in relation to its applications (art, entertainment, …carceral surveillance)<\/li>\n
- We acknowledge of our vulnerability as creators in using the corporate sandboxes of platform capitalism, such as Snap Lens Studio, Google Media Pipe<\/a>, etc.<\/li>\n
- OK!…Now let’s have fun with our faces!<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n
\nWorkshop<\/h2>\n
CMU BCSA alumna Char Stiles<\/a>, an expert live-coding artist and shader programmer, will lead a workshop on creating face masks in Snap Lens Studio<\/a>. Char is a resident artist at Snap Inc., where she works on the development of AR Snapchat filters. Prior to her workshop, you should:<\/p>\n
\n- \n
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- Download Lens Studio<\/a>, install using the defaults.<\/li>\n
- Download the SnapChat app\u00a0 and make a Snapchat account.<\/li>\n
- Link your Snapchat account with Lens Studio (yellow button on the top right).<\/li>\n
- Char has prepared a page with resources for you, http:\/\/charstiles.com\/lensstudio\/<\/a>, including a template project<\/a> and her slides<\/a>.<\/li>\n
- Snap has API documentation<\/a> here.<\/li>\n
- If for some reason you need to use a p5.js facetracker instead, see the templates here<\/a>\u00a0from last year’s 60-212 class.<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n
![\"\"](\"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-content\/uploads\/2020\/10\/QAGVbOZj-1024x442.jpg\")
<\/a><\/p>\n
\nCode from Char’s workshop:<\/h6>\n<\/div>\n
\/\/ @input Component.Image image\r\n\r\nvar event = script.createEvent(\"MouthOpenedEvent\");\r\nevent.faceIndex = 0;\r\nvar lightsOut = false;\r\nevent.bind (function (eventData)\r\n{\r\n if (lightsOut){\r\n script.image.mainPass.baseColor = new vec4(0,0,0,0.0); \r\n }\r\n else {\r\n script.image.mainPass.baseColor = new vec4(0,0,0,0.85);\r\n }\r\n lightsOut = !lightsOut\r\n});\r\n<\/pre>\n","protected":false},"excerpt":{"rendered":"Foreword There is no ethical consumption under capitalism.\u00a0 In light of our readings, we acknowledge our (new media artists’) complicity in normalizing face tracking, and our ambivalence in relation to its applications (art, entertainment, …carceral surveillance) We acknowledge of our vulnerability as creators in using the corporate sandboxes of platform capitalism, such as Snap Lens … Continue reading “10-28 Snap Lens Workshop”<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":6910,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages\/6823"}],"collection":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/comments?post=6823"}],"version-history":[{"count":9,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages\/6823\/revisions"}],"predecessor-version":[{"id":6866,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages\/6823\/revisions\/6866"}],"up":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/pages\/6910"}],"wp:attachment":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/f2020\/wp-json\/wp\/v2\/media?parent=6823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- Download Lens Studio<\/a>, install using the defaults.<\/li>\n
- We acknowledge of our vulnerability as creators in using the corporate sandboxes of platform capitalism, such as Snap Lens Studio, Google Media Pipe<\/a>, etc.<\/li>\n
- In light of our readings<\/a>, we acknowledge our (new media artists’) complicity in normalizing face tracking, and our ambivalence in relation to its applications (art, entertainment, …carceral surveillance)<\/li>\n
- \n