{"id":98,"date":"2022-01-19T03:51:39","date_gmt":"2022-01-19T08:51:39","guid":{"rendered":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/?page_id=98"},"modified":"2022-01-19T03:52:17","modified_gmt":"2022-01-19T08:52:17","slug":"themes-and-viewings","status":"publish","type":"page","link":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/daily-notes\/01-19-hello\/themes-and-viewings\/","title":{"rendered":"Themes and Viewings"},"content":{"rendered":"<h2>Themes and Viewings<\/h2>\n<p>Themes:<em>\u00a0Immersivity, generativity, autonomy, transmediality, connectivity.<br \/>\n<\/em><\/p>\n<p><strong>Immersivity.\u00a0<\/strong>We will see different forms of immersion. One form is the feeling we can have of\u00a0<em>being-in-a-place,<\/em>\u00a0as with a landscape painting, Imax movie, or virtual reality. But there is also\u00a0<em>interactivity,<\/em>\u00a0in which a system\u00a0responds in a\u00a0unique, open-ended, and tightly coupled way\u00a0to the actions of its participant &#8212; which is\u00a0<em>immersively engrossing<\/em>.<\/p>\n<ul>\n<li>Scott Snibbe,\u00a0<a href=\"https:\/\/www.snibbe.com\/digital-art#\/projects\/interactive\/boundaryfunctions\/\" rel=\"nofollow\"><em>Boundary Functions<\/em><\/a>, 1998<\/li>\n<li>Christine Sugrue,\u00a0<a href=\"http:\/\/csugrue.com\/delicateboundaries\/\" rel=\"nofollow\"><em>Delicate Boundaries<\/em><\/a>, 2007<\/li>\n<li>Theo Watson &amp; Emily Gobeille,\u00a0<a href=\"http:\/\/design-io.com\/projects\/WeatherWorlds\/\" rel=\"nofollow\"><em>Weather Worlds<\/em><\/a>\u00a0(2013);\u00a0<a href=\"https:\/\/vimeo.com\/131585517\" rel=\"nofollow\"><em>Connected Worlds<\/em><\/a>\u00a0(2015)<\/li>\n<li>Zachary Lieberman,\u00a0<a href=\"https:\/\/vimeo.com\/211271693\" rel=\"nofollow\"><em>M\u00e1s Que la Cara<\/em><\/a>, 2016<\/li>\n<li>Mouna Andraos &amp; Melissa Mongiat,\u00a0<a href=\"https:\/\/vimeo.com\/40980676\" rel=\"nofollow\"><em>21 Balan\u00e7oires<\/em><\/a>, 2012<\/li>\n<li>Smart Studio,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=7I1RFJnOaTY\"><em>Brainball<\/em><\/a>, 2007<\/li>\n<li>Jacolby Satterwhite,\u00a0<a href=\"https:\/\/vimeo.com\/72497737\"><em>New York Close Up,<\/em><\/a>\u00a02013<\/li>\n<\/ul>\n<p><strong>Generativity<\/strong>. Meta-creation and infinite variation. Things that make things.<\/p>\n<ul>\n<li>Everest Pipkin,\u00a0<a href=\"https:\/\/twitter.com\/mothgenerator\"><em>Moth Generator<\/em><\/a>, 2015<\/li>\n<li>Kate Compton,\u00a0<a href=\"http:\/\/www.galaxykate.com\/apps\/unpublic\/puppet\/index.html\" rel=\"nofollow\"><em>Puppets<\/em><\/a>, 2017<\/li>\n<li>Michael Chang,\u00a0<a href=\"http:\/\/machines.chromeexperiments.com\/\" rel=\"nofollow\"><em>Generative Machines<\/em>\u00a0Chrome Experiment<\/a><\/li>\n<li>Matthias D\u00f6rfelt,\u00a0<a href=\"https:\/\/www.mokafolio.de\/works\/Munching\" rel=\"nofollow\"><em>Munching<\/em><\/a>, 2014<\/li>\n<li>Jessica Rosenkrantz and Jesse Louis-Rosenburg (Nervous System):<br \/>\nGrowing a Hyphae Lamp\u00a0<a href=\"https:\/\/vimeo.com\/25604611\" target=\"_blank\" rel=\"noopener noreferrer\">process<\/a>\u00a0and\u00a0<a href=\"https:\/\/vimeo.com\/25325299\" target=\"_blank\" rel=\"noopener noreferrer\">results<\/a>;\u00a0<a href=\"https:\/\/n-e-r-v-o-u-s.com\/projects\/albums\/generative-jigsaw-puzzles\/\" rel=\"nofollow\">generative jigsaw puzzles<\/a>;\u00a0<a href=\"https:\/\/n-e-r-v-o-u-s.com\/cellCycle\/?t=0\" rel=\"nofollow\"><em>Cell Cycle<\/em>\u00a0custom ring<\/a>;\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=6EK9MBJiFXU\" rel=\"nofollow\"><em>Kinematics Dress<\/em><\/a><\/li>\n<li>Christopher Hesse (via Isola et al.),\u00a0<a href=\"https:\/\/affinelayer.com\/pixsrv\/index.html\" rel=\"nofollow\">Edges2Cats<\/a><\/li>\n<\/ul>\n<p><strong>Autonomy<\/strong>. The illusion of life.<\/p>\n<ul>\n<li>Karl Sims,\u00a0<em><a href=\"http:\/\/www.archive.org\/details\/sims_evolved_virtual_creatures_1994\" target=\"_blank\" rel=\"noopener noreferrer\">Evolved Virtual Creatures<\/a><\/em>, 1994<\/li>\n<li>Karolina Sobecka &amp; James George,\u00a0<a href=\"https:\/\/vimeo.com\/79787022\"><em>Sniff<\/em><\/a>, 2011<\/li>\n<li>Bret Watanabe,\u00a0<em><a href=\"http:\/\/bwatanabe.com\/GTA_V_WanderingDeer.html\">San Andreas Streaming Deer Cam<\/a><\/em>, 2015-16<\/li>\n<li>Jacob Tonksi,\u00a0<a href=\"https:\/\/vimeo.com\/72826106\" rel=\"nofollow\"><em>Balance from Within<\/em><\/a>, 2014<\/li>\n<li>Madeline Gannon,\u00a0<a href=\"https:\/\/atonaton.com\/mimus\/\" rel=\"nofollow\"><em>Mimus<\/em><\/a>, 2016<\/li>\n<\/ul>\n<p><strong>Transmediality<\/strong>. The transformation and transmutation of signals; information visualization and sonification. Revealing new truths.<\/p>\n<ul>\n<li>Matt Pyke,\u00a0<a href=\"https:\/\/vimeo.com\/5395669\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Furry<\/em><\/a>\u00a0&amp;\u00a0<em><a href=\"https:\/\/vimeo.com\/7467703\" target=\"_blank\" rel=\"noopener noreferrer\">Furry&#8217;s Posse<\/a><\/em>, 2009<\/li>\n<li>Arca x Jesse Kanda,\u00a0<em><a href=\"https:\/\/www.youtube.com\/watch?v=XBxlPZyHQlU\">Fluid Silhouettes<\/a><\/em>, 2014<\/li>\n<li>Zach Lieberman et al.:\u00a0<em><a href=\"http:\/\/www.vimeo.com\/5233789\" target=\"_blank\" rel=\"noopener noreferrer\">IQ Font<\/a><\/em>\u00a0(2009);\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=w6-LK9BOVTA\"><em>Land Lines<\/em><\/a>\u00a0(2016)<\/li>\n<li>Heather Dewey-Hagborg,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=4AADx7bLJ54\"><em>Stranger Visions<\/em><\/a>, 2011<\/li>\n<li>Helen Evans &amp; Heiko Hansen (HeHe),\u00a0<a href=\"http:\/\/hehe.org2.free.fr\/?language=en\" rel=\"nofollow\"><em>Nuage Vert<\/em><\/a>, 2012<\/li>\n<li>Kanta Horio,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=OMIW1cIgeEE\"><em>Particle<\/em><\/a>, 2008<\/li>\n<\/ul>\n<p><strong>Connectivity<\/strong>. New modes of communication. New takes on mediatization.<\/p>\n<ul>\n<li>Maddy Varner,\u00a0<a href=\"http:\/\/fffff.at\/kardashian-krypt\/\"><em>Kardashian Krypt<\/em>, 2014<\/a><\/li>\n<li>Rafael Lozano Hemmer,\u00a0<a href=\"http:\/\/www.lozano-hemmer.com\/sandbox.php\"><em>Sandbox<\/em><\/a>, 2010<\/li>\n<li>Dina Kelberman,\u00a0<a href=\"http:\/\/dinakelberman.tumblr.com\/\"><em>I&#8217;m Google<\/em><\/a>, 2013<\/li>\n<li>Miranda July,\u00a0<a href=\"https:\/\/vimeo.com\/105256055\" rel=\"nofollow\"><em>Somebody<\/em>\u00a0app, 2014<\/a><\/li>\n<li>Lauren McCarthy,\u00a0<a href=\"http:\/\/lauren-mccarthy.com\/Social-Turkers\" rel=\"nofollow\"><em>Social Turkers<\/em><\/a>\u00a0and\u00a0<a href=\"http:\/\/lauren-mccarthy.com\/LAUREN\" rel=\"nofollow\"><em>LAUREN<\/em><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Themes and Viewings Themes:\u00a0Immersivity, generativity, autonomy, transmediality, connectivity. Immersivity.\u00a0We will see different forms of immersion. One form is the feeling we can have of\u00a0being-in-a-place,\u00a0as with a landscape painting, Imax movie, or virtual reality. But there is also\u00a0interactivity,\u00a0in which a system\u00a0responds in a\u00a0unique, open-ended, and tightly coupled way\u00a0to the actions of its participant &#8212; which is\u00a0immersively &hellip; <a href=\"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/daily-notes\/01-19-hello\/themes-and-viewings\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Themes and Viewings&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":33,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/pages\/98"}],"collection":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/comments?post=98"}],"version-history":[{"count":2,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/pages\/98\/revisions"}],"predecessor-version":[{"id":101,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/pages\/98\/revisions\/101"}],"up":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/pages\/33"}],"wp:attachment":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-212\/s2022\/wp-json\/wp\/v2\/media?parent=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}