{"id":723,"date":"2021-09-14T16:20:53","date_gmt":"2021-09-14T20:20:53","guid":{"rendered":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/?p=723"},"modified":"2021-09-14T16:21:14","modified_gmt":"2021-09-14T20:21:14","slug":"lemonbear-lostrittoreading","status":"publish","type":"post","link":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/lemonbear\/09\/14\/lemonbear-lostrittoreading\/","title":{"rendered":"lemonbear\u2014LostrittoReading"},"content":{"rendered":"<p>Like many of my classmates, I was particularly drawn to the claim that &#8220;When one marks on paper, for example, one can erase those marks, but that is actually another kind of marking that involves the interaction of material.&#8221; Lostritto makes the argument that physical drawings store a visual record of their entire history, as opposed to &#8220;drawing&#8221; in digital software, where lines and forms might be done and undone discreetly. Though I don&#8217;t entirely subscribe to the stark division between human-produced and computer-produced artwork, I like the questions which arise from viewing traditional work as a &#8220;drawing&#8221; and computed work as a &#8220;model&#8221;. What&#8217;s the difference between a model and its realization? For some media, like pen and paper, the distinction is slim. But for watercolor or acrylic, the analog-space randomness of the physical work manifests the model in novel ways, their physical properties producing inspiring aesthetics.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Like many of my classmates, I was particularly drawn to the claim that &#8220;When one marks on paper, for example, one can erase those marks, but that is actually another kind of marking that involves the interaction of material.&#8221; Lostritto makes the argument that physical drawings store a visual record of their entire history, as &hellip; <a href=\"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/lemonbear\/09\/14\/lemonbear-lostrittoreading\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;lemonbear\u2014LostrittoReading&#8221;<\/span><\/a><\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,1],"tags":[],"_links":{"self":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/posts\/723"}],"collection":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/comments?post=723"}],"version-history":[{"count":1,"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/posts\/723\/revisions"}],"predecessor-version":[{"id":724,"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/posts\/723\/revisions\/724"}],"wp:attachment":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/media?parent=723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/categories?post=723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-428\/f2021\/wp-json\/wp\/v2\/tags?post=723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}