{"id":1455,"date":"2022-10-12T23:22:50","date_gmt":"2022-10-13T03:22:50","guid":{"rendered":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/?page_id=1455"},"modified":"2022-10-13T00:43:17","modified_gmt":"2022-10-13T04:43:17","slug":"oct-13","status":"publish","type":"page","link":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/daily-notes\/oct-13\/","title":{"rendered":"Oct-13"},"content":{"rendered":"<h3>Agenda<\/h3>\n<ul>\n<li><a href=\"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/deliverables\/two-cuts\/\">Two Cuts Discussion<\/a><\/li>\n<li><a href=\"https:\/\/wiki.edgertronic.com\/wiki\/Quick_start_guide\">Edgertronic<\/a> high-speed camera demonstration<\/li>\n<li>Project Proposal Discussion(s)<\/li>\n<\/ul>\n<hr \/>\n<h3>Hotlinks<\/h3>\n<ul>\n<li><a href=\"https:\/\/youtu.be\/xX5m3LqjuUc\" rel=\"nofollow\">Bob Sabiston,\u00a0<em>Project Incognito<\/em><\/a> (1997); <a href=\"https:\/\/github.com\/golanlevin\/ExperimentalCapture\/raw\/master\/docs\/images\/opticalflow.gif\">optical flow<\/a><\/li>\n<li><a href=\"http:\/\/www.pauldebevec.com\/Research\/LS\/\" rel=\"nofollow\">Paul Debevec, <em>light stage rendering<\/em><\/a> (2000)<\/li>\n<li><a href=\"http:\/\/petapixel.com\/2012\/08\/17\/great-scott-corneal-imaging-is-a-real-thing\/\" rel=\"nofollow\">Corneal reflectography<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=yJ1DczZQ-cQ\" rel=\"nofollow\">Douglas Gordon and Philippe Parreno, <em>Zidane: A 21st Century Portrait<\/em><\/a> (2006): A documentary film of a soccer game, focusing on a single player, shot with 19 cameras<\/li>\n<li><a href=\"https:\/\/vimeo.com\/16280427\" rel=\"nofollow\">Tehching Hsieh, <em>One Year Performance (Time Clock Piece)<\/em><\/a> (1980-81)<\/li>\n<li><a href=\"http:\/\/www.medienkunstnetz.de\/assets\/img\/data\/3441\/full.jpg\" rel=\"nofollow\">Sophie Calle, <em>The Shadow<\/em><\/a> (1981): \u201cAt my request, my mother went to a detective agency. She hired them to follow me, to report my daily activities, and to provide photographic evidence of my existence\u201d<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=r_n2kfqNmpY\" rel=\"nofollow\">Janine Antoni, \u2018<em>Touch<\/em>\u2019<\/a> (2002)<\/li>\n<li><a href=\"http:\/\/www.tate.org.uk\/art\/artworks\/ray-plank-piece-i-ii-ar00342\" rel=\"nofollow\">Charles Ray, <em>Plank Piece<\/em><\/a>\u00a0(1973): The image is the summarizing image of that work<\/li>\n<li>Peter Campus, <a href=\"https:\/\/www.youtube.com\/watch?v=5gUZCmERpoY\"><em>Three Transitions<\/em><\/a> (1973)<\/li>\n<li><a href=\"https:\/\/github.com\/golanlevin\/ExperimentalCapture\/blob\/master\/docs\/looping.md\">Looping (Canon) Time<\/a><\/li>\n<li><a href=\"https:\/\/github.com\/golanlevin\/ExperimentalCapture\/blob\/master\/docs\/multispectral.md#schlieren-imaging-and-shadowgraphy\">Schlieren Imaging<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Agenda Two Cuts Discussion Edgertronic high-speed camera demonstration Project Proposal Discussion(s) Hotlinks Bob Sabiston,\u00a0Project Incognito (1997); optical flow Paul Debevec, light stage rendering (2000) Corneal reflectography Douglas Gordon and Philippe Parreno, Zidane: A 21st Century Portrait (2006): A documentary film of a soccer game, focusing on a single player, shot with 19 cameras Tehching Hsieh, &hellip; <a href=\"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/daily-notes\/oct-13\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Oct-13&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":12,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/pages\/1455"}],"collection":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/comments?post=1455"}],"version-history":[{"count":6,"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/pages\/1455\/revisions"}],"predecessor-version":[{"id":1547,"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/pages\/1455\/revisions\/1547"}],"up":[{"embeddable":true,"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/pages\/12"}],"wp:attachment":[{"href":"https:\/\/courses.ideate.cmu.edu\/60-461\/f2022\/wp-json\/wp\/v2\/media?parent=1455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}