I’ve never worked with long exposures myself and as it’s a pretty entry level kind of temporal capture it seemed like a good place to start. I particularly liked this collection of pieces by Dennis Hlynsky as it chose a duration and frequency of capture that aligns well with its subject.
Though the temporal capture of “The Forty-Part Motet” by Janet Cardiff is pretty simple – just audio recording, I find the way that they are displayed and work together to be very attractive. I like how each individual’s voice is it’s own uniquely subjective capture of pem in alium numquam habui and how these can all then interact with one another.
https://www.jasonshulmanstudio.com/photographs-of-films
I really like Jason Shulman’s “Photographs of Films” because it has that “how come I never thought of that” feeling which is always a great sign for a piece in my opinion. I really love a capture techniques that are somehow a re-encoding of an existing object in a novel way that maintains elements of the original object in some way.