Personally, in order to understand how the strings and material would respond to motor manipulation rather than hand manipulation, I decided to sew a simple running stitch on both sides of the square fabric without knots. I proceeded to set up my piece on the stands.
As I was working with the drum pads, I started to create patterns, first trying each pad on its own one by one, later trying to press two at once (opposite strings and the same).
In the end, I found that the patterns I made of alternating between pressing the opposite sides created predictable yet always slightly different motions that were turbulent.
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