“GOLEM X APPOLO” by Arnaud Pottier BK I Digital Art Company
This project uses an antic sculpture and video to create an uncanny feeling. Put life into an object. This work is based on the lack of life inherent of virtual imagery and classical sculptural art. Golem explores the thin line between virtual reality and real virtuality.
“GOLEM X APPOLO” by Arnaud Pottier BK I Digital Art Company
This project uses an antic sculpture and video to create an uncanny feeling. Put life into an object. This work is based on the lack of life inherent of virtual imagery and classical sculptural art. Golem explores the thin line between virtual reality and real virtuality.
“fuji” by Joanie-lemercier (2015)
“Fuji” is part of Lemercier‘s ongoing artwork series on volcanoes. It combines a large scale hand drawn landscape depicting the Fujiyama, augmented by a layer of projected light.
“fuji” by Joanie-lemercier (2015)
“Fuji” is part of Lemercier‘s ongoing artwork series on volcanoes. It combines a large scale hand drawn landscape depicting the Fujiyama, augmented by a layer of projected light.
“Cyc” by Tony Oursler (2003)
Oursler’s projection sculptures are biomorphic forms in varying configurations and sizes, aglow with projected images of bulbous blinking rolling eyes and outsized mouths grimacing and pursing, while mumbling mawkish sentiments of self-pity and disenchantment or seductive attempts to woo the viewer.
“Cyc” by Tony Oursler (2003)
Oursler’s projection sculptures are biomorphic forms in varying configurations and sizes, aglow with projected images of bulbous blinking rolling eyes and outsized mouths grimacing and pursing, while mumbling mawkish sentiments of self-pity and disenchantment or seductive attempts to woo the viewer.
“Unsolicited Memories; Archival Exercises” by Andrea Wolf (2014)
In this video installation new narratives emerge from the juxtaposition and montage of found super8 home movies projected and mapped onto transparent plexi-glass cubes that have been randomly stacked and that seem to contain the images.
“Unsolicited Memories; Archival Exercises” by Andrea Wolf (2014)
In this video installation new narratives emerge from the juxtaposition and montage of found super8 home movies projected and mapped onto transparent plexi-glass cubes that have been randomly stacked and that seem to contain the images.
“GOLEM X MBA” by Arnaud Pottier (2015)
Arnaud Pottier was invited by The Mirage Festival to “bring alive” three sculptures in The Fine-Arts Museum of Lyon. He projects eye movements and human expressions on the faces of these centuries year old sculptures, creating a very bizarre atmosphere.
“GOLEM X MBA” by Arnaud Pottier (2015)
Arnaud Pottier was invited by The Mirage Festival to “bring alive” three sculptures in The Fine-Arts Museum of Lyon. He projects eye movements and human expressions on the faces of these centuries year old sculptures, creating a very bizarre atmosphere.
“The 600 Years” by INITI (2011)
This was a projection mapping onto Prague’s complex astronomical clock during it’s 600th year anniversary. The group behind this piece, INITI, is an international collective of media designers, musicians, and artists that “focus on interactive site-specific art.”
“The 600 Years” by INITI (2011)
This was a projection mapping onto Prague’s complex astronomical clock during it’s 600th year anniversary. The group behind this piece, INITI, is an international collective of media designers, musicians, and artists that “focus on interactive site-specific art.”
“Foresta Lumina” by Moment Factory (2014)
“Foresta Lumina” was a commission for Parc de la Gorge de Coaticook, turning a 2 km trail through the woods into an illuminated immersive adventure, featuring characters inspired by the area’s myths and legends.
“Foresta Lumina” by Moment Factory (2014)
“Foresta Lumina” was a commission for Parc de la Gorge de Coaticook, turning a 2 km trail through the woods into an illuminated immersive adventure, featuring characters inspired by the area’s myths and legends.
“Guilty” by Tony Oursler (1995)
A woman, in the form of a projected face attached to an empty outfit, yells accusatory remarks at viewers from underneath a mattress.
“Guilty” by Tony Oursler (1995)
A woman, in the form of a projected face attached to an empty outfit, yells accusatory remarks at viewers from underneath a mattress.
“How To Destroy Angels Live 2013” by Roy Bennett, Rob Sheridan, and Moment Factory (2013)
For How To Destroy Angels’ 2013 tour, Roy Bennet, Rob Sheridan, and Moment Factory created a multi-layered curtain of surgical tubing to be used as a projection surface.
“How To Destroy Angels Live 2013” by Roy Bennett, Rob Sheridan, and Moment Factory (2013)
For How To Destroy Angels’ 2013 tour, Roy Bennet, Rob Sheridan, and Moment Factory created a multi-layered curtain of surgical tubing to be used as a projection surface.
“Two Sides of Every Story” by Michael Snow (1974)
For this exhibition, Michael Snow projected two films on opposite sides of a hanging metal plate. Each side showed a perspective of two opposite camera men where they were filming a woman walking and moving between them.
“Two Sides of Every Story” by Michael Snow (1974)
For this exhibition, Michael Snow projected two films on opposite sides of a hanging metal plate. Each side showed a perspective of two opposite camera men where they were filming a woman walking and moving between them.