We were given the circuitry for the capacitor sensor. While we didn’t work on this ourselves, it is a great first step to what we hope to accomplish.
Also worth talking about is our original designs for the mold. Our original mold designs were failures, but worth talking about since they were our first experimentation with silicon molds. They were designed to imitate the look of our project but not the functionality. The top section of Elise’s was too thin and had holes in it. Leah’s had some sizing issues with the hole to insert the piping, and it failed to completely seal when putting the two halves together.
That said, we used our original molds to test the capacitor sensing, and we realized that we ran into a problem. Though it seems obvious in retrospect, inserting the wire into the mold caused the capacitor to constantly be true – it sensed something (the silicon mold and piping) nearby.
UPDATE: the calibration of the capacitor can make this work. The capacitor doesn’t sense the mold, but can sense a hand in close proximity through the silicon. More work is required to fully understand what is happening. It is really finicky, alternating between just always being true, working just right, to requiring direct touch to the wire to sense the hand.
]]>The inspiration for this mold was some sort of twig or leaf-like thing. The goal was to make it long and straight as a test run before making the official mold design for our project – which is inspired by a sea anemone. As it’s my first mold, I went very simple and also referenced the example given for the assignment.
]]>https://urth.co/magazine/the-underwater-art-installations-preserving-our-marine-life
The artist is seeking to use underwater art installations to double as artificial reefs. The sculptures submerged in the ocean all seem to have a common theme that echoes back to the lives of humans. They portray events such as the financial crash of 2008, the refugee crisis and other large events. Most of the sculptures cast negative light on human existence, but a few sculptures cast a positive light on the way humans can work together to help the environment. Furthermore, these art installations provide a base to build up reefs that have been destroyed. The idea of tragedy and rebuilding afterwards seems especially prevalent as a theme in the art installations.
There are a variety of different ways to explore the idea of underwater preservation. In particular, I imagine using soft technologies to to create an entirely fake underwater ecosystem. Silicon and various other soft materials could be used to imitate fish, plants and reefs. In a way, it wouldn’t just be preservation or rebuilding, but it would be creating an entirely new ecosystem.
A. T. Jones and R. W. Welsford, “Artificial reefs in British Columbia, Canada,” Oceans ’97. MTS/IEEE Conference Proceedings, Halifax, NS, Canada, 1997, pp. 415-418 vol.1, doi: 10.1109/OCEANS.1997.634399.
J. Luong et al., “Eversion and Retraction of a Soft Robot Towards the Exploration of Coral Reefs,” 2019 2nd IEEE International Conference on Soft Robotics (RoboSoft), Seoul, Korea (South), 2019, pp. 801-807, doi: 10.1109/ROBOSOFT.2019.8722730.
]]>Polen Budak, E., Zirhli, O., Stokes, A. A., & Akbulut, O. (2016). The Breathing Wall (Brall)–Triggering Life (In) Animate Surfaces. Leonardo, 49(2), 162–163. https://doi.org/10.1162/LEON_a_01199
The “breathing wall” is a structure that can respond in an organic matter to touch and stimulus. The idea of an “organic” city seems interesting to me. It doesn’t seem very practical, but I think it is an interesting experiment in bridging the gap between hard structures and life.
https://jonasjoergensen.org/critical-making/works/
Similar to the “breathing wall,” I chose this artwork because it imitates life. Not only does it mimic the movements of a cephalopod, but it also has its own language of sorts. It randomly generates things to say from various sources, which creates a form of story for it.
]]>Y. Zhang, L. Ge, J. Zou, H. Xu and G. Gu, “A Multimodal Soft Crawling-Climbing Robot with the Controllable Horizontal Plane to Slope Transition,” 2019 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS), Macau, China, 2019, pp. 3343-3348, doi: 10.1109/IROS40897.2019.8968297.
H. Guo, J. Zhang, T. Wang, Y. Li, J. Hong and Y. Li, “Design and control of an inchworm-inspired soft robot with omega-arching locomotion,” 2017 IEEE International Conference on Robotics and Automation (ICRA), Singapore, 2017, pp. 4154-4159, doi: 10.1109/ICRA.2017.7989477.
N. Wang, M. He, Y. Cui, Y. Sun and P. Qi, “A Soft Pneumatic Crawling Robot with Unbalanced Inflation,” 2020 IEEE/ASME International Conference on Advanced Intelligent Mechatronics (AIM), Boston, MA, USA, 2020, pp. 138-143, doi: 10.1109/AIM43001.2020.9158925.
Y. Xu, T. Wang and Z. Wang, “A soft actuator with integrated pneumatic source using electrically induced liquid-to-gas conversion,” 2021 IEEE International Conference on Robotics and Biomimetics (ROBIO), Sanya, China, 2021, pp. 249-254, doi: 10.1109/ROBIO54168.2021.9739313.
F. Xu and H. Wang, “Soft Robotics: Morphology and Morphology-inspired Motion Strategy,” in IEEE/CAA Journal of Automatica Sinica, vol. 8, no. 9, pp. 1500-1522, September 2021, doi: 10.1109/JAS.2021.1004105.
Y. Kim, Y. Lee and Y. Cha, “Origami Pump Actuator Based Pneumatic Quadruped Robot (OPARO),” in IEEE Access, vol. 9, pp. 41010-41018, 2021, doi: 10.1109/ACCESS.2021.3065402.
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