Physical

“Fatebook” by New Paradise Laboratories (2009-)

New Paradise Laboratories  is an internet-based theatre company in Philadelphia observing ways in which social media platforms might be utilized to re-imagine theatre. In “Fatebook”, one of their earlier projects, one may click through and peer into the lives of

/ jpoulard

“Fatebook” by New Paradise Laboratories (2009-)

New Paradise Laboratories  is an internet-based theatre company in Philadelphia observing ways in which social media platforms might be utilized to re-imagine theatre. In “Fatebook”, one of their earlier projects, one may click through and peer into the lives of

/ jpoulard

“I Feel Your Pain” by Liz Magic Laser (2011)

I Feel Your Pain draws upon the language of contemporary political figures in press conference dialogue and emotionally charged interviews, using it as script for actors. The repurposed dialogue is treated as both theatre and cinema, performed, remixed and projected before a live

/ jpoulard

“I Feel Your Pain” by Liz Magic Laser (2011)

I Feel Your Pain draws upon the language of contemporary political figures in press conference dialogue and emotionally charged interviews, using it as script for actors. The repurposed dialogue is treated as both theatre and cinema, performed, remixed and projected before a live

/ jpoulard

“Arbitrary Image Tracking for Robotics in Dance” by Yousuf Soliman (2014)

For this project I worked on developing computer vision algorithms that can track any arbitrary object movement in a video. I worked on a project in San Diego where we had a robotics + dance show where the robot was

/ yousufmsoliman

“Arbitrary Image Tracking for Robotics in Dance” by Yousuf Soliman (2014)

For this project I worked on developing computer vision algorithms that can track any arbitrary object movement in a video. I worked on a project in San Diego where we had a robotics + dance show where the robot was

/ yousufmsoliman

“Roberta Breitmore” by Lynn Hershman Leeson (1970-present)

Pioneering new media artist Lynn Hershman Leeson created a complex and fully established false identity as a longterm performance work that fully enveloped her life.  “Roberta Breitmore” was both a physical transformation as well as an experiment in documents, actors,

/ mrpillis

“Roberta Breitmore” by Lynn Hershman Leeson (1970-present)

Pioneering new media artist Lynn Hershman Leeson created a complex and fully established false identity as a longterm performance work that fully enveloped her life.  “Roberta Breitmore” was both a physical transformation as well as an experiment in documents, actors,

/ mrpillis

“MEƎM: A STORY BALLET ABOUT THE INTERNET” by Ryan McNamara (2015)

  Ryan McNamara’s MEƎM was an experiment in expanded dance and theatre as a Performa commission at the Kitchen, NYC.  The audience was seated in chairs outfitted with casters which were rolled around different pockets of the theatre in a choreographed fashion, where they were

/ mrpillis

“MEƎM: A STORY BALLET ABOUT THE INTERNET” by Ryan McNamara (2015)

  Ryan McNamara’s MEƎM was an experiment in expanded dance and theatre as a Performa commission at the Kitchen, NYC.  The audience was seated in chairs outfitted with casters which were rolled around different pockets of the theatre in a choreographed fashion, where they were

/ mrpillis

“Displacements” by Michael Naimark (1980)

YouTube / michael naimark – via Iframely Displacements is an immersive film installation. Performers were filmed in the space using a camera rotating turntable in the room’s center. After filming, the camera was replaced with a film loop projector and

/ cstiles

“Displacements” by Michael Naimark (1980)

YouTube / michael naimark – via Iframely Displacements is an immersive film installation. Performers were filmed in the space using a camera rotating turntable in the room’s center. After filming, the camera was replaced with a film loop projector and

/ cstiles

“If I Felt Alone, I Was Close: Part III” by Audra Wist (2012)

“If I Felt Alone, I Was Close: Part III” (2012) is the third in a series of three documented performances by Audra Wist. The series consists of the artist performing lip syncs to songs from her adolescence, and always in the midst

/ kramser

“If I Felt Alone, I Was Close: Part III” by Audra Wist (2012)

“If I Felt Alone, I Was Close: Part III” (2012) is the third in a series of three documented performances by Audra Wist. The series consists of the artist performing lip syncs to songs from her adolescence, and always in the midst

/ kramser

“Domestic Tension” by Wafaa Bilal (2007)

For 31 days, Wafaa Bilal lived inside of a gallery space with an internet-connected paintball gun. At any time during the exhibition, visitors to the piece’s website could choose to move and fire the gun.

/ dsakamot

“Domestic Tension” by Wafaa Bilal (2007)

For 31 days, Wafaa Bilal lived inside of a gallery space with an internet-connected paintball gun. At any time during the exhibition, visitors to the piece’s website could choose to move and fire the gun.

/ dsakamot

“Year Zero” by Nine Inch Nails and 42 Entertainment (2007)

“Year Zero” was a concept album by Nine Inch Nails about a dystopian version of America 15 years in the future (from the time of the album’s release). The album itself presented a mostly vague, poetic look into the fictional world; the primary way the story was told was through an alternate reality game.

/ dsakamot

“Year Zero” by Nine Inch Nails and 42 Entertainment (2007)

“Year Zero” was a concept album by Nine Inch Nails about a dystopian version of America 15 years in the future (from the time of the album’s release). The album itself presented a mostly vague, poetic look into the fictional world; the primary way the story was told was through an alternate reality game.

/ dsakamot

“Remote Theatrical Immersion: Extending Sleep No More” by MIT Media Lab’s Opera of the Future group and Punchdrunk (2012)

“Remote Theatrical Immersion” was an experimental collaboration between MIT Media Lab and Punchdrunk to explore ways to make the experience of an audience member at a show like “Sleep No More” more uniquely affected by their actions.

/ dsakamot

“Remote Theatrical Immersion: Extending Sleep No More” by MIT Media Lab’s Opera of the Future group and Punchdrunk (2012)

“Remote Theatrical Immersion” was an experimental collaboration between MIT Media Lab and Punchdrunk to explore ways to make the experience of an audience member at a show like “Sleep No More” more uniquely affected by their actions.

/ dsakamot