I wanted to emphasize this piece as being reflective, and I did that on many levels. For the entire weaving process that took time from thanksgiving break all the way to finals week, I took the opportunity to reflect on different aspects of my life while weaving. I am feeling as if a big chapter of my life is closing and another one is coming soon, so this project helped me feel as if this “era” was wrapped up. Now, I have mementos from this time in my life to take forward in life. The first weaving I completed was called “slipping through the cracks”, and to me it represents much of the anxiety and mental health issues I have had over the years.
The next piece I completed was one in which I spent a lot of time on to perfect. I wanted to dive into the more exciting pieces of life such as my adventures and travels in the past. I have always felt a very strong connection with nature, and I feel that comes through in this piece. I called it “the rush” to highlight my love for adrenaline, but also for the chaos that is normal, pre-covid life, especially when travelling.
Finally, I used our dyed pieces and physical images to create a memento that reminds me of my friends, school, and current life. This one, in a way, represents what is on my mind during a normal school year. Because of that, I titled this one “on my mind”.
This project has been really powerful for me in terms of introspection. I have enjoyed taking time to improve my weaving and embroidery skills, and creating mementos and weaving habits that will last a lifetime. This class has been really impactful and transformative for me because I found this connection to a great activity, and I am excited to continue building my skills. This project has made me feel more connected to my past self, and I am grateful for that!
]]>The next aspect of this project is the miniature weavings. I spent time over thanksgiving break working on two different ones, and progress is shown below:
It was really rewarding to spend time doing this! I also spent some time getting familiarized with the rigid heddle loom and adding progress there as well, but unfortunately I do not have any photos of that yet! Also, over break I attempted to make my own custom frame, but to no avail. However, I show progress updates here as it was informative to try! If I have the time to make more shadow boxes from scratch I definitely will.
Finally, the last piece of the puzzle is the things, the memorabilia from my life that I am adding to these shadow boxes. I spent some time over break collecting important items to me from home, including polaroids of special moments with friends.
I want to put personal weavings that allow me to reflect in each box. Each shadow box will represent a certain time in my life, and I will add to each weaving by including physical objects from those times(Ribbon from my robotics competitions, plane tickets, rocks, jewelry, etc.) to create the final piece. Together, the shadow boxes will tell a representative story that I can use to express myself. Finally, a big part of the magic will be in creating each weaving as I use my time to put energy and passion into each reflective weaving.
]]>I wanted this project to be more abstract and bright, and I wanted the audience to interpret this in a less concrete way. This pattern isn’t a direct one from my surroundings, but instead the energy it exudes represents the energy of my apartment and the people I live with – absolute chaos. The colors emphasize this even more:
The next step was to pattern this design, which is shown below in various sizes:
This project was exciting to me because I learned how to implement a design like this. I also felt as if this more abstract piece captures the bright and chaotic energy that I am lucky enough to say surrounds me in life.
]]>More inspiration for a creative weaving project:
Shown below is the sketch for my pattern drawing that I have successfully scanned, but unfortunately was having extreme technical difficulties with in order to add color. However, I am very excited by the idea of this more freeflowing pattern, so I am excited to see how this turns out!
The modern day pattern I found is shown below. I also really appreciated the symmetry in the pattern and how the pattern reflects itself. It would be interesting to incorporate that with my piece.
I chose to use a jean jacket as a connection to the things in life that won’t change – Jean is such a classic fashion material and I doubt it will ever go “out of style”. I don’t know anything in life for sure, but I’m almost positive 2030 will have jeans.
The biggest piece of this textile was the tapestry. I have really enjoyed weaving and chose to connect the weaving theme to the theme of uncertainty. The overall look is of destruction and explosive doom, but there are hints of green and yellow to indicate climate change as well.
Finally, I added a heart that is slowly turning black, to represent the inevitable heart-wrenching challenges we will all have to face in 2030.
One aspect of this project that surprised me- I went for a hopeless, destructive piece, but in putting my energy into weaving I felt as if I created something beautiful from the pain I was expecting to portray. It was honestly really heartwarming, and made me think about my mentality about the world.
]]>This question, obviously, is impossible to truthfully answer. However, thinking about the future implies reflection on the current state of humanity and what will be different in 10 years. Nowadays, in this big giant mess of things, my feelings fluctuate between having absolutely no hope for a promising future and seeing small positives that make me think of how good civilization has the potential to be.
Thinking about the future also triggers reflections about human history. Reading about history, from my perspective, is simply reading about unequal societies, injustice, war and violence throughout the human era. Even though we live in a world with so many cruel and harsh injustices, we are in many ways living in the best time human history has ever seen. Women and people of color have finally broken into many white male dominated fields, before COVID we were at a historical low for global poverty, hunger, and disease, and gay marriage has been becoming legal in a mass movement across the globe. Still, even in this hopeful state, civilization is as it has always been: Cruel and unjust.
In my stolen textile from that era, that message is what I want to get across. I want to combine three key points: inevitable overwhelming destruction, inevitable cultural change for the slightly better, and my personal growth through it all.
Now, I will answer specific questions about my future guesses.
NOTE: I try not to hope too much, so im mentally preparing for some bullshit like this: