CMU School of Art / IDeATe, Spring 2020 • Profs. Golan Levin & Nica Ross
Dsiplay.Land, HyperLapse, and Slit-Scan fun
TWIGS HYPERLAPSE
Mute
Current Time 0:00
/
Duration Time 0:00
Loaded: 0%
Progress: 0%
Stream TypeLIVE
Remaining Time -0:00
Playback Rate
1
Chapters
Chapters
descriptions off, selected
Descriptions
subtitles off, selected
Subtitles
captions settings, opens captions settings dialog
captions off, selected
Captions
Audio Track
This is a modal window.
The media could not be loaded, either because the server or network failed or because the format is not supported.
Caption Settings Dialog
Beginning of dialog window. Escape will cancel and close the window.
This is a hyperlapse video I made of the cat I have taken charge of in quarantine –> Meet Twigs. Looking forward to playing around with this more, too!
RNFetchBlobTmp_cl439xjc8kkmzt98o1cjc
Mute
Current Time 0:00
/
Duration Time 0:00
Loaded: 0%
Progress: 0%
Stream TypeLIVE
Remaining Time -0:00
Playback Rate
1
Chapters
Chapters
descriptions off, selected
Descriptions
subtitles off, selected
Subtitles
captions settings, opens captions settings dialog
captions off, selected
Captions
Audio Track
This is a modal window.
The media could not be loaded, either because the server or network failed or because the format is not supported.
Caption Settings Dialog
Beginning of dialog window. Escape will cancel and close the window.
2. This is a 3D model made with Display.Land from a short walk I took. Instead of trying to actually capture a specific area/object, I let the camera just move forward and it created a much more heavily warped model. Some of my more disruptive experiments didn’t compile into videos that would work within the app. I like it and will keep messing around with it.
3. With the slit-scan photo app Poloska I took this portrait of the cat, Twigs. I really enjoy how broken and abstract the photo turned out.
Author: Joseph Amodei
Joseph Amodei is a video/media/performance artist and theatrical designer based in Pittsburgh and NYC. Joseph conceives of art as a powerful epistemic and emotional tool for examining assumed realities. His work combines innovative technology, extensive research, and hope for alternate futures to invite audiences into a communal process of debriefing and re-learning. Joseph grew up in North Carolina, where he received a BFA with honors in studio art from UNC-Chapel Hill. Currently, he is an MFA candidate in video/media design at Carnegie Mellon's School of Drama.
View all posts by Joseph Amodei
