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Gallery Independent Project

Independent Project Final Blog Post – Aaron

To remember my first time cooking and inviting my friends over for a holiday, I created a textile version of our Thanksgiving plate. In addition to the plate, the final piece includes mashed potatoes, mac and cheese, asparagus, gravy, and roast turkey.

Thanksgiving plate with all the ingredients — mac and cheese, mashed potatoes, asparagus, gravy, and roast turkey.

Here’s a close-up and detailed description of each of the components:

Plate:

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The plate was assembled with a 3D component in mind. To achieve this, the full plate was split into five sections and individually stuffed with some wool to give it some perception of weight. The meeting points of the outer sections were slightly trimmed then sewn back together to elevate the plate’s edges.

Mac and Cheese:

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For the mac and cheese, each piece of mac was individually felted so that it curves in the direction that resembles a real mac. Together, they make up around a scoop to a scoop and a half of mac and cheese – almost exactly the amount each person took at the event.

Mashed Potatoes:

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The mashed potatoes were very simply felted together after individually felting two different-sized half-spheres then combining them together. The gravy added on top in the final piece adds another layer of depth to the ingredient.

Asparagus:

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The asparagus was put together by first trimming a piece of sponge to somewhat resemble asparagus, then gluing an outer piece of green paper to more closely match the real color, and finally the green strand to match the roughness of the vegetable on its top portion.

Roast Turkey:

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For the roast turkey, the material had to first be dyed using the reactive dye method with a 1:1:2.75 red: blue: yellow ratio after cutting out each piece individually. Each of the pieces was first sewn three-quarters of the way before the wool stuffing was added. The gaps were then sewn closed. After adding velcro and trimming off any excess cloth, the roast turkey was complete. The result is a felted/sewn turkey with detachable wings and drums!

Reflection

Overall, I was very happy with how the project turned out. All of the pieces came out very closely with how I imagined them to look, and I will definitely put this project somewhere visible in my room back home.

In terms of skills, I became much more comfortable with sewing towards the end of the project and the process became much less frustrating. I also have a newfound respect for artists who complete much larger projects because of the time and effort they must commit.

I laughed at how “deflated” the turkey turned out (I wasn’t very confident in the strength of the stitches and opted to lower the pressure), chucked at how I couldn’t think of a better way to represent semi-liquid gravy, and smiled at how well the plate’s 3-dimensional aspect came out to be. It’s been incredible working on this project, and I had a blast.

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Independent Project

Project Update – Aaron

Currently, 5 out of the 6 elements in my Thanksgiving Dinner have been completed. The only element left is the asparagus, which I’m planning to complete by tomorrow.

The methods of creating the first five elements are shown below:

Plate: First cut two identical pieces of cloth then sewed together the bottom portion with minimal stuffing. Then cut small portions off each of the four corners only to sew them back together with stuffing for a slight 3D effect.

Macaroni and Cheese: first felted into long strands of yellow wool, then felted each strand into itself after cutting them into appropriate lengths.

Mashed Potatoes: Felted each ball first then combined the two scoops via felting.

Turkey: First cut out the individual pieces. Then used reactive dyes to dye the cloth into a light brown color. Then sewn the pieces together after putting in sufficient wool stuffing. Then added velcro to the sides so the wings and drums become detachable.

(Planned) Asparagus: Cut out circular sponge pieces, wrap them in green, then add texture on the top tip area by stacking green cloth then cutting them into the desired shape.

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Independent Project

Independent Project Proposal – Aaron

Concept

Over the past week, my roommates and I hosted a Thanksgiving dinner in our apartment. We all invited our friends over and had almost 20 people show up to enjoy our roast turkey, mashed potatoes, stuffing, pumpkin pie, and much more. The event was especially meaningful to me as it was the first time I’ve hosted and prepared food for any big event with friends, and now I want to find a way to remember the night. To do this, I plan to put together a textile version of our Thanksgiving food plate — a collection of all the foods that we prepared on the day. I hope to have all the foods felted and placed on a large (weaved/felted/folded cloth not sure yet) plate. The foods may even be felted in their natural form (alive turkey instead of roasted turkey) to emphasize the liveliness of the occasion.

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Materials

  • Wool – brown, natural, red, gray, orange, etc.
    • Dye if these colors aren’t readily available
  • Felting Needle
  • Felting Sponge
  • Cloth – to potentially wrap around the felted plate

Timeline

Nov 23: Proposal

Nov 24: Scout around IDeATe & determine what extra materials are needed

Nov 29 – Dec 1: Finalize Designs & Material Preparation

Dec 2 – Dec 6: Finish felting together plate & turkey

Dec 7 – Dec 9: Finish felting side foods & attach onto plate

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Encoded Cloth from the Future Gallery

Encoded Cloth Part 1 – Aaron

In the world of 2070, I imagine people to live vastly different lives due to advances in technology and the increasing relevance of climate change. Here are five of the most important areas where I imagine will influence us the most in 2070.

Artificial Intelligence

As artificial intelligence and machine learning begin playing more important roles in carrying out tasks, the need for human labor will substantially decrease. This will lead to a massive displacement of non-specialized workers and will likely cause large-scale political backlash. On the other hand, AI will also play an indispensable role in assisting specialized workers in tasks that require human supervision (surgery, aviation, etc.). This can lead to safer operations and more efficient transportation, which can benefit all of humanity.

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Climate Change

As coastal cities experience more climate extremes such as floods and hurricanes, governments will no longer be able to ignore the issues of climate change. This will likely lead to tougher but necessary environmental policies, hurting businesses in the short run while buying time for the world to transition to a greener economy. In 2070, we will likely see some populations fleeing inland to escape floods and food prices skyrocket due to their destruction via extreme climate events.

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Proximity of Technology

In 2070, we will also likely see our technology blend further within our lives. We currently interact with technology that exists outside our bodies (ex. smartphones, tablets, etc.), but 2070 will likely bring about technologies embedded within our bodies. Nanobots can continuously circle within our stomach to check for diseases, chips can be inserted within our brains so we can connect our minds to the world, and wearable will be a thing of the past. This integration of technology will likely increase the ease of communication and create a new class of human interaction.

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Space Travel

As rocket technology advances, costs will significantly and space travel will become a popular form of travel for the middle-upper to upper class. Space elevators, hotels, and global trips will become the norm (and flat-earthers will be gone). Attempts at the colonization of Mars will begin as private space companies continuously send teams to the planet. The world will watch in awe as they realize the potential of humanity, but also realize the new problems of space ownership. Who owns Mars? What will space regulations look like?

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Greener Diets

As the world comes to grips with the realities of farming animals, it will become increasingly difficult to justify the continual production of meat in both the developed and developing world. As a result, 2070 will see humans having very different diets, consisting of many plant-based alternatives. Protein will likely be obtained either artificially or through other means such as bugs. This will be a slow process but is bound to happen as the world can no longer manage the pollution that the meat industry produces.

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Tapestry Weavings

Weaving Reflection: Aaron

The Process

For my weaving, I wanted to make something pictorial, something that is instantly recognizable as something in the real world. Since I was new to weaving, the first ten inches largely consisted of experimentation, where I exposed myself to the main techniques that I would end up using in my final weaving. After the ten-inch mark, I ended up taking a middle ground between letting my weaving guide me and creating something pictorial. The “tree pot” was initially supposed to be a giant bubblegum, but I saw the half-finished sphere as an opportunity to weave a plant on top. This inspiration extended itself into a complete view of the horizon in the sunset, with birds and stars lighting up the orange sky amongst the clouds. I found the process to be tedious at times but extremely rewarding overall.

What Worked Well

I was surprised at how well the rya knots and the felted material turned out. To represent the leaves on the tree, I bundled ten threads together and used the rya knot technique on the same two wrap threads. This created a spreading out effect among the green threads which matches how I imagine palm trees’ leaves spread out. It also gave a very distinct 3D effect to the weaving which I was very pleased by. As for the felted flower and clouds, I really liked how the dry pieces maintain both their shape and fluffiness. The flower had differing heights to represent the petals and its inner organs, and the clouds had different sizes and densities to mirror what we see in nature. It added a very interesting layer on top of the threads, which I was very happy with.

Areas of Improvement

Even though I was very happy with my end product, there are a few areas where I think I can definitely do better, them being the fringes and pattern usage. For the fringes, there are some notable inconsistencies in the tension for each line of weaving, resulting in the final piece having somewhat varying widths in different areas. I could definitely have left more room before beating each line of thread onto my weaving in some places. As for the patterns, I feel I could have explored some more of the left-right patterns. The weaving is currently very up-down oriented and it would have added another interesting dynamic to the overall piece.

What I Learned

Among the many things I learned, the two standouts on top of learning how to weave are patience and the joys of exploration. I never knew that weaving could take as much time as it did for me. Especially for the interlocking and branch-making portions, it was somewhat sad to see myself making progress at the rate of less than two inches an hour. This journey not only gave me the opportunity to rediscover what it means to be patient and work on something attentively for hours, it also gave me a newfound respect for artists who do weave professionally. I could never imagine the dedication that they must have to complete works that are measured in yards rather than inches. When my piece was still unfinished, I found it very rewarding to find inspiration from my existing piece and build it into something interesting. It was this initial exploration before every “section” that allowed me to build a pictorial representation of a tree under the sunset. Usually, I’m used to pre-planning my entire work before executing on it. This experience definitely opened me up to trying new things and letting my mind go for a bit before consolidating on an idea and turning it into reality. I will be carrying this attitude into the future projects are to come.

Five Directions

  1. The same tree but under purely the night sky, shooting stars, and a shining moon
  2. A sprout under the same background with its leaves weaved in the piece instead of using rya knots
  3. The same tree but without the leaves and in the winter. Can incorporate elements of snow and maybe even a snowman
  4. A flower plant with much more extensive dry felting for the flowers. Can use different colors for different flowers.
  5. A giant bubblegum to pay homage to my initial inspiration

Categories
Tapestry Weavings

Weaving in Progress – Aaron

Categories
Tapestry Weavings

Weaving of Interest – Aaron

This textile fragment, from late 9th century – early 10th century Yemen, is referred to as a kind of tiraz fabric. It is one of many medieval Islamic textiles with Arabic inscriptions painted on top. The arrowheads and diamonds on the piece were made possible using the resist-dyed ikat technique, which keeps dye away from specific parts of the fabric. Textiles like this often include inscriptions of current rulers or caliphs and are presented at formal ceremonies.

The first image is the original, with the other two being enhanced versions to highlight specific aspects of the textile.