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Tapestry Weavings

3D Weaving – Heeyun

The Woven Cosmos exhibition presented work by the artist and industrial designer Hella Jongerius earlier this year in Berlin, Germany. Jongerius’ work examines the possibilities in which the textile industry can become more sustainable and thus poses the idea of using weaving to create 3D structures that can be used in architecture and even in sustainable energy technology. Using a multiaxial loom, she has woven several prototypes, such as bricks, foldable cubes, and solar fibers that can unfurl when the sun shines. The kinds of materials used are not listed. However, the focus of these works shown is more on the possibilities this new way of weaving brings and on the exploration of how the weaving itself can provide enough strength and rigidity without the need of additional structural support. Although 3D weaving is still a newly developing practice, these woven structures show a lot of promise and hope that the ancient art of weaving can still be transformed and adapted to address our current, ever-changing society.

3D woven bricks
2D becomes 3D: flat fabric units that can unfold into cubes
The Seamless Loom: the multiaxial loom specifically made to make 3D weaving possible

Link to the article.

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Tapestry Weavings

Weaving of Interest – Sophia

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This weaving is a floral wall hanging. It was made by Alyssa Ki in 2020. It uses a combination of colors and patterns to make a flower boutique. The lighter colors look like the flower petals while the darker colors look like the stem/leaves. This is created by using techniques like weaving, macrame, needle-felt, and crochet.

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Tapestry Weavings

Weaving of Interest – Carol

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This weaving is a fragment of an Upper Rhenish tapestry. It was made by an unknown artist in Basel, Switzerland. The materials used are wool on linen, as it is a tapestry weave. The weaving shows a mythical, lionlike beast being dragged on a leash, with flowers and plants growing in the background. The weaving is about beasts referenced in the Physiologus and medieval bestiaries. Such beasts represented vices, and the leashed beast in the tapestry symbolizes taming lustful impulses. The weaving was made circa 1420-30. This weaving was used as both decoration and insulation in homes.

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Tapestry Weavings

Weaving of Interest – Lukas

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This weaving by Claire Zeisler, named “Hanging”, is a product of the Bauhaus weaving workshop. This weaving was made in 1950. It mainly uses tan and red, with the red almost bleeding out of the skin-colored fabric. A large part of the warp is exposed towards the bottom, resembling the “innards” of the piece. In addition, a tangle of objects — a glass ornament encased in netting, a skein of golden yarn, an embroidery hoop — are attached to the piece. This is intended to be used as a wall hanging.

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Tapestry Weavings

Weaving of Interest – Susan

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This weaving is called the Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse. It was made by Giovanni Battista Lodi da Cremona. The weavings shows a story which depicts the seventh, and the second to last episode in the story of an ill-fated love affair between Herse and Mercury. The weaving is about the union between Mercury and how her sister might appear here. The vision of this is shown in an exquisitely sumptuous re-edition of the tapestry series, heavy with precious thread and woven with a virtuoso display of different surface effects. It was made in 1570 ca. And the weaving is used as a tapestry set.

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Tapestry Weavings

Weaving of Interest – Aaron

This textile fragment, from late 9th century – early 10th century Yemen, is referred to as a kind of tiraz fabric. It is one of many medieval Islamic textiles with Arabic inscriptions painted on top. The arrowheads and diamonds on the piece were made possible using the resist-dyed ikat technique, which keeps dye away from specific parts of the fabric. Textiles like this often include inscriptions of current rulers or caliphs and are presented at formal ceremonies.

The first image is the original, with the other two being enhanced versions to highlight specific aspects of the textile.

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Tapestry Weavings

Tapestry Weaving – Lea Emerlyn

I thought that what Alexandra Sipa did was interesting because she weaved electrical wires into a dress. I did not think that it was possible to use wires because it is a stiff material and didn’t seem like it could turn into clothing. I also feel like she is making a statement about how much waste there is in the fashion industry and the electronics industry. Being able to turn waste into something practical is a more sustainable way of doing things.

https://www.dezeen.com/2020/09/15/alexandra-sipa-romanian-camouflage-central-saint-martins-fashion/

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Tapestry Weavings

Weaving of Interest

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This weaving is….. It was made by….. The materials used are….. The weaving shows a story through symbols that mean…… The weaving is about……. The weaving was made in 2006…. This weaving is used as … a rug… a wall hanging….