Author: rpai@andrew.cmu.edu

Raymond Pai-Project-02-Variable-Face

sketch

var r = (200);
var g = (120);
var b = (120);
var mouthx = 50
var mouthy = 20
var eyew = 40
var eyeh = 40
var brow1y1 = 100
var brow1y2 = 100
var brow2y1 = 100
var brow2y2 = 100

function setup() {
    createCanvas(640, 480);
}

function draw() {
    background(240);
    // Draw head
    strokeWeight(5);
    fill(r, g, b, 127);
    ellipse(320, 240, 400, 400);
    //Draw mouth
    fill(0);
    stroke(255, 200, 200);
    rect(320, 300, mouthx, mouthy)
    //Draw eye1
    strokeWeight(20);
    stroke(255);
    fill(0);
    ellipse(420, 200, eyew, eyeh);
    //Draw eye2
    strokeWeight(20);
    stroke(255);
    fill(0);
    ellipse(330, 200, eyew, eyeh);
    //Draw brow1
    strokeWeight(18);
    stroke(0);
    line(270, brow1y1, 350, brow1y2)
    //Draw brow2
    strokeWeight(18);
    stroke(0);
    line(380, brow2y1, 430, brow2y2)
    //ear
    strokeWeight(5);
    fill(r, g, b, 127)

    arc(220, 250, 80, 80, 0, 5 + QUARTER_PI, OPEN);
}
function mousePressed() {
  // Check if mouse is inside the circle
  let d = dist(mouseX, mouseY, 360, 200);
  if (d < 700) {
  //randomize
    r = random(120, 200);
    g = random(100, 120);
    b = random(100, 120);
    mouthx = random(50, 95);
    mouthy = random(30, 105);
    eyew = random (20, 90);
    eyeh = random (20, 145);
    brow1y1 = random (60, 100);
    brow1y2 = random (60, 100);
    brow2y1 = random (60, 100);
    brow2y2 = random (60, 100);
  }
}

Changes in color, mouth, eyes, and eyebrows. It is an expressive fish.

Raymond Pai: Project-01-Face

A self-portrait made using mostly 2D primitives. I played with the shapes on Illustrator before approaching it on p5.js. I was surprised by what felt like limitations of the medium, which I eventually liked more than my initial drawing.

Brainstorming on Illustrator

Round boi

RaymondPai-Project-01

function setup() {
    createCanvas(600, 650);
}

function draw() {
    background(260, 200, 0);
//EARS
    strokeWeight(10)
    fill(250, 200, 140);
    arc(100, 370, 180, 180,
        1, PI + HALF_PI, OPEN);
    strokeWeight(10)
    fill(250, 200, 140);
    arc(500, 370, 180, 180,
        4, PI , OPEN);
//HAIR1
    strokeWeight(0);
    fill(0);
    ellipse(200, 270, 300, 300);
// HEAD
    strokeWeight(10);
    fill(250, 200, 140);
    ellipse(300, 350, 485, 500);
//EYES
    strokeWeight(0);
    fill(255);
    ellipse(200, 300, 120, 160)

    strokeWeight(0)
    fill(255);
    ellipse(400, 300, 120, 160)
//PUPILS
    strokeWeight(0);
    fill(0);
    ellipse(220, 300, 70, 90)

    strokeWeight(0)
    fill(0);
    ellipse(380, 300, 70, 90)
//MOUTH
    strokeWeight(16)
    fill(250, 200, 140);
    arc(300, 350, 400, 400,
    1, PI, OPEN);
    ///return long lines ^ (for readability)
//NOSE
    strokeWeight(10);
    fill(255, 190, 130);
    ellipse(300, 420, 100, 70)
//EYEBROWS
    strokeWeight(25)
    line(140, 230, 250, 210);

    strokeWeight(25)
    line(400, 180, 500, 200);
//ACCESSORIES
    strokeWeight(0);
    fill(100, 100, 100);
    rect(40, 420, 20, 50);

    strokeWeight(0);
    fill(100, 100, 100);
    rect(540, 420, 20, 50);
//HAIR
    strokeWeight(10)
    fill(0);
    arc(300, 330, 520, 520,
    4, PI + PI, OPEN);
}

Raymond Pai-Looking Outwards-01

Based on: A Guide to Nuclear Detonation at Tribeca Film Festival By Emerson Rosenthal

A 3D model of the space of ‘the bomb’ experience

‘the bomb’ is an experiential technology art film/performance created by USA (United Visual Artists). Along with a band called ‘The Acid’, the experience aims to allow people to primitively experience the immense power, “epicness, awe, perhaps alarm” of nuclear weapons. This is achieved through large film played on the LED screens surrounding the audience in different directions as well as the performance of the band.  The film itself is directed by Smriti Keshari and Kevin Ford. The collective began the project a year before it was presented when they were first contacted by Keshari to attempt the project. The bomb does not require any ‘first word art’ as there have been immersive film experiences achieved before. Keshari and Ford were inspired by ‘Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety’. The book warns of the immense power nuclear weapons hold over humanity and the danger of being complicit with their mishandling. Currently, many younger people that have never lived during the nuclear war are unable to comprehend the immensity of nuclear weapons on an empathetic level. The bomb points at the potential of technology to create an experience that goes beyond a documentary about nuclear weapons, but also surrounds their bodies and shakes the ‘epic-ness’ of the potential of nuclear weaponry into their comprehension.

Experience the video: https://vimeo.com/ondemand/thebombfilm