Categories
Independent Project

Project Update – Aaron

Currently, 5 out of the 6 elements in my Thanksgiving Dinner have been completed. The only element left is the asparagus, which I’m planning to complete by tomorrow.

The methods of creating the first five elements are shown below:

Plate: First cut two identical pieces of cloth then sewed together the bottom portion with minimal stuffing. Then cut small portions off each of the four corners only to sew them back together with stuffing for a slight 3D effect.

Macaroni and Cheese: first felted into long strands of yellow wool, then felted each strand into itself after cutting them into appropriate lengths.

Mashed Potatoes: Felted each ball first then combined the two scoops via felting.

Turkey: First cut out the individual pieces. Then used reactive dyes to dye the cloth into a light brown color. Then sewn the pieces together after putting in sufficient wool stuffing. Then added velcro to the sides so the wings and drums become detachable.

(Planned) Asparagus: Cut out circular sponge pieces, wrap them in green, then add texture on the top tip area by stacking green cloth then cutting them into the desired shape.

Categories
Independent Project

Independent Project Update – Susan

Visual Portfolio, Posts & Image Gallery for WordPress
No items were found matching your selection.

I have finished cutting the different parts necessary for the dresses and made a mock-up and sewed the top of the actual yellow dress. I fitted the top part of the dress to myself, not sure how the bottom will be if it is not as stretchy. Pictures shown above.

Categories
Encoded Cloth from the Future

Encoded Cloth Pt 4 – Heeyun, Jennifer, Lukas

Visual Portfolio, Posts & Image Gallery for WordPress

Written Reflection

Your process for conceptualizing and making your object

Our process started with imagining the reality of the future and comparing how it may differ from the present. Our conclusion was that humanity’s longing for physical touch will continue or even intensify, as we imagine the world of the future to be filled with smooth, cold computer screens and digitized interactions. This initiated our exploration of a comfort object for people of all ages of the future, specifically exploring the different textures we could create and use that contrast with that of flat screens. Thinking about different toys and comfort objects we use today and how these date back to several years back, we decided to build a stuffed octopus, where each tentacle would have a different texture. 

What worked well and why you think it worked well

The sizing of the octopus was a concern at first, as we intended to make the octopus handheld for personal use. However during the critique, the octopus was able to be shared amongst multiple people, each experiencing a different tentacle and thereby a different textural experience. Another element that worked well was the plain color of the octopus, as it let the different textural aspects be further emphasized and removed distractions. The lack of color also implies that future life is overstimulating, and to relax people may turn to plainer-colored comfort objects made of natural fabrics rather than bright, artificially colored synthetic materials. Additionally, the varied combinations of fillings and outer textures resulted in a wider range of experiences without overcomplicating our fabrication process. 

What you would improve or change and why

The finishing of the edges could be improved. Though the raw edges give a more rough feeling that also provides another dimension to a textural experience, with more time and skill, the toy could be more securely fabricated. Also, the lack of variety in fabric allowed the experience to be solely about the fillings and the outer textures, though we would like to explore other natural materials to create even more combinations.

What you learned through this project and what you might take from this project with you into future projects

This project had a more intense brainstorming process, which allowed us to combine our ideas and talk about what we wanted to do for the project extensively. I think this extended brainstorm and discussion about the project further clarified our goals and what we wanted to create. Also, we learned a great deal about modifying initial project goals throughout the creation process. Being able to accomplish our intended goal while being flexible with specific design requirements will be a useful skill in future projects. 

I had very little experience with using the sewing machine and making plushies, so the entire fabrication process for this stuffed octopus was quite challenging for me. In terms of skills, I was able to further improve my ability to use a sewing machine and make 3D structures with it. Because of this, I feel much more confident in being able to incorporate this fabrication method into my future projects. 

Categories
Gallery Independent Project

Independent Project Update – Carol

Visual Portfolio, Posts & Image Gallery for WordPress
  • Completed preliminary research on poro shape, structure, and texture
  • Purchased necessary materials over Thanksgiving break (see above image)
  • Decided to create a rose/”love” poro instead of a standard white one after seeing available fabrics
  • Scaled measurements of base pieces up for a larger final product
  • Started cutting out base piece shapes in paper, then fabric
  • Next steps: complete all base piece cutouts, begin sewing main body together
Categories
Independent Project

Independent project Update- Jennifer

Visual Portfolio, Posts & Image Gallery for WordPress

Over the break, I looked at a lot of machine embroidery tutorials and used Inkscape to make two designs of fruit stickers. I still have to learn how to finalize the design that is ready for the machine but these two will be the test run, which will hopefully work so I can make more intricate and bigger embroideries.

Categories
Independent Project

Independent Project Update – Lukas

Over the break, I went through the process of setting up the files with PEmbroider for one of my visualizations. Since I won’t be able to see the results of the process until class Tuesday, I paused on going through with all of my files. Once I see this sample and streamline the vector png process, I plan to get a computer from IDEATE lending with adobe illustrator to vectorize my screenshots much faster than before. Overall I didn’t get much done over Thanksgiving break and plan to make up time quickly.

Below is the original png and the whiteout version of it.

Visual Portfolio, Posts & Image Gallery for WordPress
Categories
Encoded Cloth from the Future Gallery

2071 Gaian Fashion Lineup

Sophia Huang, Aron Chen, Ron Chew
Acid Dyed Vest
Plain Vest with Waist Sash
Diagonal Sash
Screenprinted Motif

Ripstop, Cotton

Visual Portfolio, Posts & Image Gallery for WordPress

Our team initially decided to with an idea that focused on the future environmental disasters that Earth would experience. In this new society, the surviving humans now fear the elements of nature, represented as 3 gods of Fire, Water and Ice. We theorized that they would have motifs that represented these gods, and would try to wear those motifs on their clothing.

We were quite surprised at how the screenprinting turned out, as the mixing of the 3 colors made a nice gradient that felt similar to how a thermometer or heat visualization might work. From the print, we decided to work on vests that could utilize the print as a stripe or sash around it. With the good sewing work from Sophia, we were actually able to make 2 vests, with one dyed using similar colors to the screenprint.

Visual Portfolio, Posts & Image Gallery for WordPress

The collection of encoded clothing from 2071 was presented as a fashion lineup, with a global UN government launching this new line of clothing as a means to encourage the growth and maintenance of the faith. Our team presented this with a script and an imagined prayer for this religion.

While it was challenging to arrive at some group decisions while planning and making our encoded cloth, the project was overall a success. I believe our team managed to arrive at a good result that achieved our vision of how this future might be like with a huge environmental toll.

Visual Portfolio, Posts & Image Gallery for WordPress
Categories
Independent Project

Independent Project Update – Sophia

I was able to finish tracing and cutting all the final pieces and watched a couple more online videos of people making a more traditional qipao. I also went to Walmart to purchase a nude zipper, more bias tape, and more nude thread to be used when sewing. Because the fabric already has designs of flowers and birds, I decided to also challenge myself to emborder on top of them. When I was at Walmart, I found some embroidery items that I can practice with.

I am a little behind my original schedule but I plan to finish sewing and adding the bias tape/buttons/zipper by this Friday. I would like to use this weekend to add the embroidery designs after seeing how the qipao looks and fits.

Below is an image of the cut pieces and all the supplies I purchased online and from Walmart.

Visual Portfolio, Posts & Image Gallery for WordPress
Categories
Gallery

Independent Project Proposal

Core concept: Cherry blossoms have always reminded me of my childhood – on my way to school with my parents I would always be greeted by them in the spring. I would love to represent that warm nostalgic feeling through this project by embroidering a cherry blossom tree on a printed picture of my parents. I believe that using materials such as embroidery threads would capture the warm homey feeling that I am trying to convey. Also by embroidering individual petals on the tree and flying off the tree, I think I will be able to illustrate a more dynamic image.

Materials: Printed canvas, embroidery threads and needles (mostly brown and pink tones)

Timeline: 11/30 print image at tartan ink, 12/2 sketch out tree and petals on canvas, 12/3 – 12/9 embroider

Categories
Independent Project

Independent Project Update – Heeyun

I have ordered ramie fabric online and am expecting to receive them by this Friday December 3rd, so I will not be able to begin constructing the bojagi just yet. I began collecting some other textiles that I may also incorporate into the bojagi to add variety in texture.

For the past week, I have been familiarizing myself with hand embroidering and brainstorming/sketching designs that I would like to hand or machine embroider onto my bojagi piece. Most recently, I began sketching branches, leaves, and persimmons on Adobe Illustrator to potentially use it for machine embroidering. I’m waiting to see how machine embroidering may or may not work on more transparent fabrics like ramie to see if machine embroidering is a tool that will be useful for me.

Visual Portfolio, Posts & Image Gallery for WordPress

I’m still brainstorming ideas for the overall layout of the bojagi. I feel like my mind has been very scattered with this idea, so I need some more time to sit down and focus on painting a better picture of what it is that I ultimately want to create.

Until my fabrics arrive, I will fully develop my bojagi layout and finish drafting the illustrations for embroidery.