![[OLD FALL 2019] 15-104 • Introduction to Computing for Creative Practice](https://courses.ideate.cmu.edu/15-104/f2019/wp-content/uploads/2020/08/stop-banner.png)
Bridging a connection between music and digital art, computational tools have created a new genre – the sound art.
Inspired by the heritage of the Polish Radio Experimental Studio, a project called Apparatum is born. Written with javascript, the designer panGenerator takes advantage of the digital interface that emits purely analogue sound. Based on magnetic tape and optical components controlled via graphic score composed with a digital interface, the user is able to flexibly produce sounds from various levels and both graphically and musically invent a symphony of electronic music.
Meanwhile, the physical form of the equipment is designed in the modular fashion inside two steel frames. the 2 tape loopers, optical generators producing sinusoidal tones and noise generators are all presented in a more visual way for the user to have a direct understanding of how and what they are manipulating certain aspects of the sound. The most inspiring feature of the project is its human interaction program. the printout of the user graphical score with the link to the mp3 file of the recording gives the user a much clearer and easier understanding of the sound art and how they are able to control and play with the sound levels, amplitudes, frequencies, noise, and pitches. The artistic sensibility is manifested both in its acoustic flexibility and the visual appearance and the recordings of the varaiations of all the variables that the users are playing with. The project attracts and enlightens me to have more variables for user to control and to design a clear and elegant-looking appearance of the program to arouse the interests of the audience.
