As one of the most renowned abstract artist, Marcel Duchamp produced “two works of music and a conceptual piece—a note suggesting a musical happening” between 1912 – 1915. Similar to his other creative work, his compositions represent a radical departure from anything done up till his time.
In the process of the composing, Duchamp made three sets of 25 cards, one for each voice with a single note per card, where extensive passages of pitches and rhythms are fully specified, but the rhythmic coordination of parts within the ensemble is subject to an element of chance. It is considered as one of the earliest work that is mechanically driven and largely determined by random procedures.