![[OLD FALL 2018] 15-104 • Introduction to Computing for Creative Practice](https://courses.ideate.cmu.edu/15-104/f2018/wp-content/uploads/2020/08/stop-banner.png)
I found this project really interesting because the visual artist, Palmer Eldritch, combined a series of tech-noir chaos, their reactivity, and rotoscoping into his video and audio outputs. The sequences are made possible through the use of Max/Jitter with a bunch of different visual elements that are made by softwares like Ready, After Effects, GForce Suite, 3DSMax/VRay, Sound Forge/Waves, and many others. This work was also possible courtesy of Paul Fennell through his creations made on Max/Jitter. Eldritch made changes and modified an open source code to suit his thoughts and the direction of his project. As a result, many overlays were a result of experimentation with noise patterns and sonifications courtesy of Tomasz Sulej.
Article: by FilipVisnjic, January 3rd, 2017