Raymond Pai-Looking Outwards-04

Listens to audio and makes fortunes. By Shanghai based design studio: automato.farm

BIY Believe it Yourself is a fascinating project that allows machine learning to create subjective outputs using inputs from the environment. Created by Shanghai based design studio automato.farm, tt is interesting in that the project uses the logic boards as part of the physical artistic representation of the concept. Superstitions and fortune telling from different cultural folktales are programed into Rasberry Pi in order to compute random results to audio. For example, if a person’s name is spoken aloud, the computer interprets the name and outputs a lucky number and destiny based on Indian Numerology and Astrology. The studio, automato. farm, is known for their work regarding social commentary. This is a very fitting design, because it shows that people live with superstitions but computers seem to be objective. The subjectivity of these computers gives humanity to computing in a new way.

Link to project: https://www.creativeapplications.net/scripts/biy-believe-it-yourself-real-fictional-belief-based-computing-kits-by-automato/

Jai Sawkar – Looking Outwards – 04

Sonic Playground is an outdoor sound installation that features ingenious, colorful sculptures that modify and transmit sound in unusual, engaging and playful ways. Atlanta, GA

This week, I found an outdoor sound installation by Yuri Suzuki: Sonic Playground. This outdoor sound installation, located in Atlanta, is made up of 6 interactive sound sculptures that manipulate sound based on where you are in the installation. Using grasshopper, a Rhino 3D Model plugin, Suzuki computationally designed these installations using 3D ray tracing in order to simulate how sound can travel. Through this, users can interact with one another through individual installation.

Having experience in Grasshopper, it is super cool to see the possibilities with not only grasshopper, but with how you can use computational design to not only design material, but design products that are made to interact with people’s senses.

Link to Article

Stefanie Suk – Looking Outwards – 04

Image of CarbonScape in Process 

CarbonScape, a kinetic data sound installation that incorporates both traditional and futuristic concepts of technology, is a work by a Chinese artist Chris Cheung. This work consists of 18 different tracks of synthesized sound samples that visualizes the carbon dioxide levels from data received by NOAA (National Oceanic and Atmospheric Administration). Inspired by the artist’s natural environment, the installation is designed like a series of bamboo forest with black spheres inside representing the carbon dioxide levels in the atmosphere. This black sphere changes its position from top to bottom (to show the changes in carbon dioxide levels) as the sounds are emitted under the bamboo-like tube. I am deeply admired by this installation because of the combination of man-made object (sphere & tube) and natural energy (sound) to create a single piece of art that represents our world’s natural disaster. I know that the data from the NOAA that is computed to automatically send its information to the installation generated this artwork. I can see from the installation that the artist pursues minimalistic design, which also attracted me because the simple black and white structure made the installation easy to see/read and also made it visually appealing. 

Demonstration Video of CarbonScape 

Sammie Kim– Looking Outwards – 04

Interaction between audience and the installation (Quevillon)

“Algorithmic Drive” is an interactive installation created by Francois Quevillon, who was inspired by dash cam recordings and autonomous cars. Generated with a database of recordings from the car’s built-in camera, the captured videos are synchronized with information, including speed, location, orientation, altitude, as well as temperature of various motor sensors. This mechanism utilizes data analysis and computer vision algorithms that statistically sorts the content, then fabricates endless videos made with specific parameters related to the car’s activity and its current location. The interactive aspect comes with a controller and screen that allows the audience to engage and maneuver the system. I found it inspiring how the artist gained his creative spark from a technological venture, and developed an art piece that raises many ethical questions in our minds. According to Quevillon, he wanted to signify the issue of technical, legal, and moral issues that are involved in autonomous vehicles that can function without human intervention by “feeding and following algorithmic procedures” (Quevillon). As such, spontaneous events can always occur, especially road accidents due to unexpected causes.

Algorithmic Drive installation (Quevillon)

Algorithmic Drive – Spectacular car(au)tonomy

Alice Cai Looking Outwards 4

http://www.pamelaz.com/carbonsongcycle.html

EXCERPTS OF CARBON SONG CYCLE

Carbon Song Cycle

Pamela Z is a composer and performer who worked with media artist Christina McPhee on a project called Carbon Song Cycle. This project was fro a chamber ensemble and expanded cinema. The project reflects the progressions in the Earth’s ecosystem, focusing on the carbon cycle, which is the cycle of carbon through nature and life. Pamela took data on the carbon cycle, environmental balance and imbalance and created a melody inspired by the data. She also created drawings and images inspired by the carbon process, focusing on heat and chemical transformations in the process. She also took video footage from petroleum fields, natural gas locations, and geothermal sites. The melody was written for an ensemble of voice, electronics, viola, cello, bassoon, percussion, as well as an array of video projections. Throughout the melody, sonic material is passed between the players that reflect the video projections of the natural exchange of elements. 

Watching the video, the melody is very mystic and abstract. It is actually pretty intense at moments. The melody rises and falls almost like fire. At some points, it is more melodic, at some points ,it’s like random sounds, metal clanging, and mystic signing. Some points actually have lyrics, like “I’m breathing”. You can kind of sense if some parts are more chemical in contrast to parts that seem to reflect nature.

Katrina Hu – Looking Outwards – 04

Weather Thingy

The interface screen that displays the data collected by the sensors.

Weather Thingy is a sounds controller that uses real time climate-related events to control and modify the settings of musical instruments. The device consists of a weather station on a tripod microphone and a custom built controller connected to the weather station. The station has 3 climate sensors including a rain gauge, a wind vane and an anemometer. There is a controller that transforms climatic data into midi data, and can therefore be interpreted by instruments. The purpose of this project was to allow users to listen to the impact of climate on composition.

I admire that it allows users to take the data and use it to turn it into their own creative compositions. This is possible because you can use the device to pre-record the climate data of a certain place at a certain time. The musician can capture moments that he has found inspiring to create new melodies on his own.

Lauren Park- Looking Outwards -04

“Cycling Wheel” performance (2017) by Keith Lam, Seth Hon and Alex Lai

“Cycling Wheel” is inspired by Marcel Duchamp’s Bicycle Wheel, but takes this project on a new level of interactive performance that creates light and music. Using the mechanics of this instrument, the sound and visuals are generated by using a software made from computational language called “Processing”, along with three other units that control light bean, music, and LED strips.

I found it really impressive and interesting that the artists chose to take Duchamp’s sculptural piece and transform it into a new way of experimenting with the bicycle wheels and add another element of audio to it as well. Inspired by a very physical, tangible artwork, these artists create abstract patterns using lights and smoke that really made this experience exciting. What is important is that these artists did not only create an interactive instrument, but also used it to hold a performance for an audience.

lee chu – looking outwards – 04

Porter Robinson, a renown EDM artist is also known for amazing visuals at his live performances. His visuals usually consist of animation-esque landscapes and futuristic cityscapes which shift and morph to the music. Some of his visuals seem more computational than others, but I assume that most of them are animated completely digitally. The clip below was recorded during Porter’s Worlds tour probably last year or the year before. Porter Robinson’s personal tastes and artistic sensibilities translate directly to his visuals, as they seem to be inspired greatly by anime and consist of pastel colors.

Sarah Choi – Looking Outwards – 04

In July 2018, Funkhaus Berlin featured sound art called, “Meandering River”, a vibrant landscape showing the gradual flows of nature by onformative. The audiovisual installation portrays a small snapshot in our fast-paced and changing world. The artist believed in the importance of featuring real nature through art. The movement of the rivers shows the constant in past and present life. Onformative wanted to show the unchanging nature although with all the transformations going around in life. 

The “Meandering River” is a multi-channel video with a set generative soundscape. The algorithm calls attention to the abstract imagery showing movements of the fluctuations in a river. The music accompanied and adding to the piece was composed by Berliners Kling Klang Klong, interpreting river patterns and shifts in the surface. The artist wanted the audience to be more aware of time in order to reel out an emotional journey.

Cathy Dong-Looking Outwards-04

“Cycling Wheel” Performance

“Cycling Wheel” is created by Keith Lam, Seth Hon, and Alex Lai. They were inspired by Marcel Duchamp’s Bicycle Wheel, and further transformed mechanics into light and sound.

Design Concepts & Logics

In the design processes, there were three variables: music, light beam, led strips. Each was generated and controlled by electronic devices. 

The designers eventually transformed the computer-generated sounds into an exciting, appealing, and rather dramatic show.  They perform while generating music and light. Music and light together create a certain engaging rhyme that draws audience’s attention. Mechanics input is intricate and professional, whereas the final result is interactive. The complicated design logic is simplified into the motions of spinning and touching.